The eighteenth-century fortepiano grand and its patrons : from Scarlatti to Beethoven / by Badura-Skoda, Eva

Table of Contents: “…Bartolomeo Cristofori -- Giving Cristofori's nuovo cimbalo a name: terminology problems throughout the eighteenth century -- Domenico Scarlatti -- New inventions in Germany, pantalone instruments, and Gottfried Silbermann -- Johann Sebastian Bach and the "piano et forte" -- Pianoforte builders in Germany around 1750 -- The generation of Bach's older sons -- From Alberti, Platti, and Rutini to Eckard and the younger sons of Bach -- Developments in the second half of the century: Johann Andreas Stein and Sebastien Erard -- Joseph Haydn-Wenzel and Johann Schantz, young Mozart and Nannette Stein -- Anton Walter and Wolfgang Amadeus Mozart -- From Broadwood, Merlin, and Clementi to Beethoven -- Epilogue -- Appendix: Scipione Maffei's article of 1711.…”
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The eighteenth-century fortepiano grand and its patrons : from Scarlatti to Beethoven / by Badura-Skoda, Eva

Table of Contents: “…Bartolomeo Cristofori -- Giving Cristofori's nuovo cimbalo a name: terminology problems throughout the eighteenth century -- Domenico Scarlatti -- New inventions in Germany, pantalone instruments, and Gottfried Silbermann -- Johann Sebastian Bach and the "piano et forte" -- Pianoforte builders in Germany around 1750 -- The generation of Bach's older sons -- From Alberti, Platti, and Rutini to Eckard and the younger sons of Bach -- Developments in the second half of the century: Johann Andreas Stein and Sebastien Erard -- Joseph Haydn-Wenzel and Johann Schantz, young Mozart and Nannette Stein -- Anton Walter and Wolfgang Amadeus Mozart -- From Broadwood, Merlin, and Clementi to Beethoven -- Epilogue -- Appendix: Scipione Maffei's article of 1711.…”
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Music in the eighteenth century / by Rice, John A.

Table of Contents:

Communication in eighteenth-century music /

Table of Contents: “…Caplin -- Part III : Rhetorical form and topical decorum -- A metaphoric model of sonata form : two expositions by Mozart / Michael Spitzer -- Beethoven's op. 18 no. 3, first movement : two readings, with a comment on analysis / Kofi Agawu -- Mozart's K331, first movement : once more, with feeling / Wye J. …”
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Bach's cycle, Mozart's arrow : an essay on the origins of musical modernity / by Berger, Karol, 1947-

Table of Contents: “…Mozart at play ; The hidden center ; Between incoherence and inauthenticity : Don Giovanni and Faust ; Die Zauberflöte, or the self-assertion of the moderns -- Postlude : between utopia and melancholy : Beethoven and the aesthetic state.…”
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Sovereign feminine : music and gender in eighteenth-century Germany / by Head, Matthew

Table of Contents: “…Introduction : Fictions of Female Ascendance -- Europe's Living Muses : Women, Music, and Modernity in Burney's History and Tours -- "If the pretty little hand won't stretch" : Music for the Fair Sex -- Charlotte ("Minna") Brandes and the Beautiful Dead -- An Evening in Tiefurt : Corona Schröter's Die Fischerin and Vegetable Genius -- Sophie Westenholz and the Eclipse of the Female Sign -- Beethoven Heroine : A Female Allegory of Music and Authorship in Egmont -- Conclusion -- Appendix : Johann Friedrich Reichardt, Two Prefaces to the Fair Sex.…”
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Anthology for music in the eighteenth century /

Table of Contents: “…Symphony no. 3 in E♭ major (Sinfonia eroica): movement 2, Marcia funebre / Ludwig van Beethoven -- 29. String quartet in C major, op. 59, no. 3 ("Razumovsky"): movement 4 / Ludwig van Beethoven -- Appendix 1. …”

Cherubino's leap : in search of the Enlightenment moment / by Kramer, Richard, 1938-

Table of Contents: “…The chromatic moment in Enlightenment thought -- A preamble on portraiture and language -- The chromatic moment -- Moments musicaux -- The fugal moment: on a few bars in Mozart's Quintet in C Major, k. 515 -- Hearing the silence: on a much-theorized moment in a sonata by Emanuel Bach -- The Klopstock moment -- Oden von Klopstock in Musik Gesetzt -- Composing Klopstock: Gluck contra Bach -- "A poet among composers" -- "A Klopstock who worked in tones" -- Beethoven: in search of Klopstock -- Dramma per musica -- Anagnorisis: Gluck and the theater of recognition -- Cherubino's leap -- Konstanze's tears.…”
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Haydn's "Farewell" symphony and the idea of classical style : through-composition and cyclic integration in his instrumental music / by Webster, James, 1942-

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A History of the Oratorio, Vol. 3 : the Oratorio in the Classical Era. by Smither, Howard E.

Table of Contents: “…Selected German Oratorios; Georg Philipp Telemann: Der Tag des Gerichts; Carl Heinrich Graun: Der Tod Jesu; Carl Philipp Emanuel Bach: Auferstehung und Himmelfahrt Jesu; Johann Heinrich Rolle: Lazarus, oder die Feyer der Auferstehung; Joseph Haydn: The Creation and The Seasons; Ludwig van Beethoven: Christus am Oelberge; PART IV. The Oratorio in French and Other Languages; Chapter IX. …”
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