Counterpoint : the polyphonic vocal style of the sixteenth century / by Jeppesen, Knud, 1892-1974

Table of Contents: “…Outline history of contrapuntal theory -- Technical features -- Two-part counterpoint -- Three-part counterpoint -- Four-part counterpoint -- Counterpoint in more than four parts -- The canon -- The motet -- The mass -- Appendix. …”

A practical approach to sixteenth-century counterpoint / by Gauldin, Robert, 1931-

Subjects: “…Counterpoint 16th century.…”

Sixteenth-century polyphony, a basis for the study of counterpoint, by Merritt, A. Tillman

Subjects: “…Counterpoint History 16th century.…”

Renaissance polyphony / by Fitch, Fabrice

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Examples of Gregorian chant and works / for use in classes of counterpoint

Subjects: “…Counterpoint 16th century Instruction and study.…”

A manual of sixteenth-century contrapuntal style / by Smith, Charlotte, 1921-

Subjects: “…Counterpoint History 16th century.…”

Cantus firmus in mass and motet, 1420-1520. by Sparks, Edgar H.

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Improvising early music : the history of musical improvisation from the late Middle Ages to the early Baroque /

Table of Contents: “…What is counterpoint? /…”
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Reformation readings of the Apocalypse : Geneva, Zurich, and Wittenberg / by Backus, Irena, 1950-

Table of Contents: “…The Apocalypse and the Zurich Reformers; 5. The Lutheran Counterpoint: David Chytraeus and Nikolaus Selnecker; Conclusion; Notes; Bibliography; Index.…”
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The performance of 16th-century music : learning from the theorists / by Smith, Anne, 1951-

Table of Contents: “…Mode; 7. The Rhetoric of Counterpoint; 8. What Skills Were Expected of Professional Musicians?…”
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Classical Byrd / by Byrd, Charlie, 1925-1999

Table of Contents: “…Dos sonetos = Two sonatas (5:03) ; Diferencias sobre "Guardance las vacas" = Variations on Guard my cows (6:18) / Valderrabano -- Tres pavanas = Three pavanes / Milan (1: 44) -- Diferencias sobre el Conde Claros = Variations on Conde Claros (3:15) ; Gallarda (1:40) ; Fantasia que contra hace la harpa en la manera de Luduvico = Fantasy in the manner of Luduvico (2:35) / Mudarra -- Pavana y villanesca = Pavane and villanesca / Pisador (4:16) -- Diferencias sobre "Guardance las vacas = Variations on Guard my cows (4:23) ; Cancion del emperador = Song of the emperor (1:23) ; Baxa de contrapunta = Dance in counterpoint (10:32) / De Narvaez -- Suite no. 1 in G major (10:32) ; Suite no. 2 in E minor (9:59) ; Suite no. 3 in B minor (9:57) ; Suite no. 4 in D minor (10:00) / Lodovico Roncalli.…”
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Coloniality, religion, and the law in the early Iberian world /

Table of Contents: “…Negotiation between religion and the law / Santa Arias and Raul Marrero-Fente -- Jose de Acosta : colonial regimes for a globalized Christian world / Ivonne del Valle -- Conquistador counterpoint : intimate enmity in the writings of Bernardo de Vargas Machuca / Kris Lane -- Voices of the Altepetl : Nahua epistemologies and resistance in the Anales de Luan Bautista / Ezekiel Stear -- Performances of indigenous authority in postconquest Tlaxcalan annals : Don Juan Buenaventura Zapata y Mendoza's Historia Cronologica de la Noble Ciudad de Tlaxcala / Kelly S. …”
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