The theology of Handel's Messiah, Beethoven's Credo, and Verdi's Dies Irae : how listening to sung theology leads to the contemplation of God / by Greene, David B.

Subjects: CONNECT

The possessor and the possessed : Handel, Mozart, Beethoven, and the idea of musical genius / by Kivy, Peter

Subjects:

The possessor and the possessed : Handel, Mozart, Beethoven, and the idea of musical genius / by Kivy, Peter

Table of Contents: “…s Second Childhood -- X Odd Men Out -- XI Beethoven Again -- XII Gendering Genius -- XIII Reconstructing Genius -- Notes -- Bibliography -- Index…”
CONNECT
CONNECT

First nights : five musical premieres / by Kelly, Thomas Forrest

Table of Contents: “…Claudio Monteverdi, Orfeo, Saturday, February 24, 1607 -- George Frideric Handel, Messiah, Tuesday, April 13, 1742, 12 noon -- Ludwig van Beethoven, Ninth symphony, Friday, May 7, 1824, 7:00 p.m. -- Hector Berlioz, Symphonie fantastique, Sunday, December 5, 1830, 2 p.m. -- Igor Stravinsky, Le sacre du printemps, Thursday, May 29, 1913, 8:45 p.m.…”

First nights : five musical premieres / by Kelly, Thomas Forrest

Table of Contents: “…Claudio Monteverdi, Orfeo: Saturday, February 24, 1607, Documents -- George Frideric Handel, Messiah: Tuesday, April 13, 1742, 12 noon, Documents -- Ludwig van Beethoven, Ninth symphony: Friday, May 7, 1824, 7:00 p.m., Documents -- Hector Berlioz, Symphonie fantastique: Sunday, December 5, 1830, 2 p.m., Documents -- Igor Stravinsky, Le sacre du printemps: Thursday, May 29, 1913, 8:45 p.m., Documents.…”
CONNECT