The Italian Opera Libretto and Dubrovnik Theatre : (17th and 18th Century) / by Franić Tomić, Viktoria

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The Baroque Libretto : Italian operas and oratorios in the thomas fisher library, u of t / by Pietropaolo, Domenico, Parker, Mary Ann

Table of Contents: “…The Collection -- The Opera Libretty -- The Music -- Dance in Italian Opera -- The Oratorio.…”
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The Baroque libretto : Italian operas and oratorios in the Thomas Fisher Library at the University of Toronto / by Pietropaolo, Domenico, 1949-, Parker, Mary Ann, 1951-

Table of Contents: “…The Collection -- The Opera Libretty -- The Music -- Dance in Italian Opera -- The Oratorio.…”
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Musicians' mobilities and music migrations in early modern Europe : biographical patterns and cultural exchanges /

Table of Contents: “…Soloists of the Opera Productions in Brno, Holešov, Kroměříž and Vyškov. Italian Opera Singers in Moravian Sources c. 1720-1740 (Part I) /…”
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Musicians' Mobilities and Music Migrations in Early Modern Europe : Biographical Patterns and Cultural Exchanges. by Gesa zur Nieden; Berthold Over

Table of Contents: “…Soloists of the Opera Productions in Brno, Holešov, Kroměříž and Vyškov Italian Opera Singers in Moravian Sources c. 1720-1740 (Part I) --…”
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Musicians' Mobilities and Music Migrations in Early Modern Europe. by Nieden, Gesa zur

Table of Contents: “…Italian Opera Singers in Moravian Sources c. 1720-1740 (Part II) / Jana Perutkova -- DISSEMINATION AND TRANSFER OF MUSIC AND MUSIC THEORY BETWEEN COPIES, ADAPTATIONS AND REFERENCES -- Estienne Roger's Foreign Composers / Rudolf Rasch -- From "Sonate a quattro" to "Concertos in Seven Parts". …”
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The lively arts of the London stage, 1675-1725 /

Table of Contents: “…6From Scaramouche to Harlequin: Dances 'in grotesque characters' on the London Stage7 Music, Magic, and Morality: Stage Reform and the Pastoral Mode; 8Madness 'Free from Vice': Musical Eroticism in the Pastoral World of The Fickle Shepherdess; 9 'Let all be husht': Songs in Praise of Anne Bracegirdle and Arabella Hunt; 10Burning and Stoic Men: Mad Rants and the Performance of Passionate Pain in the Plays of Nathaniel Lee, 1674 to 1678; 11Appreciating Bononcini's Astianatte (1727): An Italian Opera for the London Stage; Part IIIAfterpiece: Comedy, Farce, and Competition; 12 The Right to Write.…”
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