Christopher Marlowe, Renaissance dramatist / by Hopkins, Lisa, 1962-

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The aesthetics of Antichrist : from Christian drama to Christopher Marlowe / by Parker, John, 1972-

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The Marlowe-Shakespeare Continuum : Christopher Marlowe and the Authorship of Early Shakespeare and Anonymous Plays (Second Edition) / by Murphy, Donna N.

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Performing masculinity in English university drama, 1598-1636 / by Marlow, Christopher

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Solo performances : staging the early modern self in England /

Table of Contents: “…Turkish Brags and Winning Words Solo Performances in Christopher Marlowe's Tamburlaine the Great /…”
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Religious dissimulation and early modern drama : the limits of toleration / by Schindler, Kilian

Table of Contents: “…Religious dissimulation and toleration in early modern England -- From Oldcastle to Falstaff : the politics of martyrdom and conformity in 1 and 2 Henry IV -- Falstaff revisited : Puritan nonconformity and loyal dissent in 1 Sir John Oldcastle -- Silence denied : Sir Thomas More and the incrimination of inward dissent -- Free speech and neo-stoicist inwardness : the divided self in Ben Jonson's Sejanus his fall -- Exposing religious dissimulation : the stage Machiavel in Christopher Marlowe's The Jew of Malta -- Semi-conformity, idolatrous pollution, and conversion : the permeable self in Ben Jonson's Bartholomew Fair.…”
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Interweaving myths in Shakespeare and his contemporaries /

Table of Contents: “…Shakespeare's mythological feuilletage: a methodological induction / Yves Peyré -- The non-Ovidian Elizabethan epyllion: Thomas Watson, Christopher Marlowe, Richard Barnfield / Tania Demetriou -- 'This realm is an empire': tales of origins in medieval and early modern France and England / Dominique Goy-Blanquet -- Trojan shadows in Shakespeare's King John / Janice Valls-Russell -- Venetian Jasons, parti-coloured lambs and a tainted wether: Ovine tropes and the Golden Fleece in The Merchant of Venice / Atsuhiko Hirota -- Fifty ways to kill your brother: Medea and the poetics of fratricide in early modern English literature / Katherine Heavey -- 'She, whom Jove transported into Crete': Europa, between consent and rape / Gaëlle Ginestet -- Subtle weavers, mythological interweavings and feminine political agency: Penelope and Arachne in early modern drama / Nathalie Rivère de Carles -- Multi-layered conversations in Marlowe's Dido, Queen of Carthage / Agnès Lafont -- Burlesque or neoplatonic? …”
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Lord Strange's Men and Their Plays / by Manley, Lawrence

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Desire and dramatic form in early modern England / by Haber, Judith Deborah

Table of Contents: “…Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgments -- Textual note -- Introduction: consummate play -- Part I "Come ... and play": Christopher Marlowe, beside the point -- Chapter 1 Genre, gender, and sexuality in "The Passionate Shepherd" and Tamburlaine -- Delights of the mind -- 8220;Vaunts substantial8221; -- Chapter 2 Submitting to history: Edward II -- Chapter 3 "True-loves blood": narrative and desire in Hero and Leander -- Chapter 4 "Thus with a kiss": a Shakespearean interlude -- Part II Desiring women in the seventeenth century -- Chapter 5 "How strangely does himself work to undo him": (male) sexuality in The Revenger's Tragedy -- Chapter 6 "My body bestow upon my women": the space of the feminine in The Duchess of Malfi -- Chapter 7 "I(t) could not choose but follow": erotic logic in The Changeling -- Chapter 8 "Old men's tales": legacies of the father in 'Tis Pity She's a Whore -- Chapter 9 The passionate shepherdess: the case of Margaret Cavendish -- 8220;No plots, nor designs, nor subtil contrivances8221; -- Young virgins tales -- Afterword: for(e)play -- Notes -- INTRODUCTION: CONSUMMATE PLAY -- GENRE, GENDER, AND SEXUALITY IN 8220;THE PASSIONATE SHEPHERD8221; AND TAMBURLAINE -- SUBMITTING TO HISTORY: EDWARD II -- 8220;TRUE-LOVES BLOOD8221;: NARRATIVE AND DESIRE IN HERO AND LEANDER -- 8220;THUS WITH A KISS8221;: A SHAKESPEAREAN INTERLUDE -- 8220;HOW STRANGELY DOES HIMSELF WORK TO UNDO HIM8221;: (MALE) SEXUALITY IN THE REVENGERS TRAGEDY -- 8220;MY BODY BESTOW UPON MY WOMEN8221;: THE SPACE OF THE FEMININE IN THE DUCHESS OF MALFI -- 8220;I(T) COULD NOT CHOOSE BUT FOLLOW8221;: EROTIC LOGIC IN THE CHANGELING -- 8220;OLD MENS TALES8221;: LEGACIES OF THE FATHER IN TIS PITY SHES A WHORE -- THE PASSIONATE SHEPHERDESS: THE CASE OF MARGARET CAVENDISH -- AFTERWORD: FOR(E)PLAY -- Works cited -- Index.…”
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