Cui dono lepidum novum libellum? : dedicating Latin works and motets in the sixteenth century /

Table of Contents: “…Lewis -- "Vobis pagina nostra dedicatur" : Dedication in classical antiquity / Harm-Jan van Dam -- Reciprocal authorisation: The function of dedications and dedicatory prefaces in the 15th and 16th century 'Artes antiquitatis' / Karl Enenkel -- "Ergo cape et canta sanctos quos fecimus hymnos" : Preliminaries in sixteenth-century motet editions by composers from the low countries / Demmy Verbeke -- Reading (between) the lines : What dedications can tell us / Nele Gabriëls -- Dedicating music manuscripts : On function and form of paratexts in fifteenth- and sixteenth-century sources / Thomas Schmidt-Beste -- "To the benevolent reader ..." : dedications attached to editions of neo-Latin plays in the Netherlands of the 16th and 17th century -- forms, functions and religious standpoints / Jan Bloemendal -- "Aequabit laudes nulla Camena tuas" : Poetry and music in Latin laudatory motets / Victoria Panagl -- Constructing the image of a humanist scholar : Latin dedications in Hungary and the use of adages (1460-1525) / Farkas Gábor Kiss -- Beyond the music-theoretical discourse in Franchino Gaffurio's trilogy: The significance of the paratexts in contemplating the magic triangle between author, opus, and audience / Walter Kurt Kreyszig -- "Accipe non noti praeclara uolumina mundi" : les dédicaces du De Orbe Nouo de Pierre Martyr d' Anghiera / Brigitte Gauvin -- Dédicaces et inscriptions latines dans les livres de musique pour vihuela (1536-1576) / Paloma Otaola González -- "Per patronos, non per merita gradus est emergendi" : Lipsius's careful choice of patroni as a way of career planning / Jeanine de Landtsheer -- Les dédicaces latines des livres de motets de René del Mel (ca. 1554-ca. 1598) / Emilie Corswarem -- Dedication and devotion in Simone Molinaro's Motectorum quinis, et missae denis vocibus, liber primus (1597) / Peter S. …”
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St. Anne in Renaissance music : devotion and politics / by Anderson, Michael Alan, 1975-

Table of Contents: “…Anne in pre-reformation Wittenberg -- A "divine favor" at the French court : in pursuit of a motet for St. Anne -- Devotion without borders : the afterlife of Celeste beneficium -- The French royal trinity, biblical humanism and chanted mass propers for St. …”
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Examples of Gregorian chant and works / for use in classes of counterpoint

Table of Contents: “…Gregorian chant: Kyrie (Dorian) -- Alleluia (Dorian) -- Communion Passer (Dorian) -- Offertory Ad te levavi (Hypodorian) -- Kyrie (Phrygian) -- Sanctus (Phrygian) -- Kyrie Fons bonitatis (Phrygian) -- Alleluia (Phrygian) -- Response Ecce quomodo (Hypophyrygian) -- Sanctus (Lydian) -- Agnus Dei (Lydian) -- Antiphon Ecce Dominus (Lydian) -- Gradual Sederunt principes (Lydian) -- Gradual Sederunt principes (Lydian) -- Benedictus (Lydian) -- Communion Pascha nostrum (Hypolydian) -- Antiphon Asperges me (Mixolydian) -- Gradual Qui sedes (Mixolydian) -- Offertory Precatus est (Hypomixolydian) -- Introit Spiritus Domini (Hypomixolydian) -- Beatus vir ; Beatus homo ; Oculos non vidit ; Justus cor suum ; Ex spectatio justorum ; Qui sequitur me ; Justi tulerunt ; Sancti mei ; Qui vult venire ; Serve bone ; Fulgebunt justi ; Sicut rosa ; Benedictus / Orlandus Lassus -- Facsimile of an original manuscript of the Improperium Popule meus ; Masses: Ad fugam ; De Feria ; Dies Sanctificatus ; Gabriel Archangelus ; L'Homme Armé ; Petra Sancta ; Repleatur os meum laude ; Sanctorum Meritis ; Sine Nomine ; Ut re mi fa sol la ; Vestiva i colli ; Motets: Alleluia Tulerunt ; Dies Sanctificatus ; In Festo Apostolorum: Tollite jugum ; Laudate Dominum in Tympanis ; O Admirabile Commercium ; Veni Sancte Spiritus ; Hymns: In Dominicis Quadragesima ; In Festo Transfigurationes Domini ; Magnificat ; Offertories: Exaltabo Te ; Improperium ; Laudate Dominum ; Facsimile of the original voice parts of the Improperium found on page 172 ; Litany: Litaniae de Beata Virgine Maria / Giovanni Pierluigi Palestrina -- Six responses: Una hora non potuistis ; Omnes amici mei ; Tamquam ad latronem ; Tenebrae factae sunt ; Animam meam dilectam ; Ecce quomodo moritur justus / Marc Antonio Ingegneri.…”

Aural images of lost traditions : sharps and flats in the sixteenth century / by Toft, Robert

Table of Contents: “…CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- 1 Theoretical Framework -- 2 Pitch-Content in Josquin's Motets -- 3 The German Custom -- 4 Traditions of Pitch-Content -- Conclusion -- APPENDIX -- NOTES -- GLOSSARY -- B -- C -- D -- E -- F -- G -- H -- I -- K -- M -- N -- O -- P -- R -- S -- T -- V -- BIBLIOGRAPHY -- LIST OF EXAMPLES -- INDEX OF NAMES AND TITLES -- A -- B -- C -- D -- E -- F -- G -- H -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- V -- Z -- GENERAL INDEX -- A -- B…”
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Aural Images of Lost Tradition. by Toft, Robert

Table of Contents: “…Intro -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- 1 Theoretical Framework -- 2 Pitch-Content in Josquin's Motets -- 3 The German Custom -- 4 Traditions of Pitch-Content -- Conclusion -- APPENDIX -- NOTES -- GLOSSARY -- B -- C -- D -- E -- F -- G -- H -- I -- K -- M -- N -- O -- P -- R -- S -- T -- V -- BIBLIOGRAPHY -- LIST OF EXAMPLES -- INDEX OF NAMES AND TITLES -- A -- B -- C -- D -- E -- F -- G -- H -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- V -- Z -- GENERAL INDEX -- A -- B -- C -- D -- F -- H -- I -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W.…”
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A companion to music in sixteenth-century Venice /

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Orlando di Lasso's imitation magnificats for Counter-Reformation Munich / by Crook, David, 1957-

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