W.A. Mozart, Die Entführung aus dem Serail / by Bauman, Thomas, 1948-

Die Zauberflöte [and] Die Entführung aus dem Serail. by Mozart, Wolfgang Amadeus, 1756-1791

100 great operas and their stories / by Simon, Henry W. 1901-1970

Table of Contents:

The libretti of Mozart's completed operas : in two volumes / by Mozart, Wolfgang Amadeus, 1756-1791

Table of Contents: “…Bastien und Bastienne ; La clemenza di Tito ; Così fan tutte ; Don Giovanni ; Die Entführung aus dem Serail ; La finta giardiniera ; La finta semplice -- v. 2. …”

Mozart's operas : a companion / by Hunter, Mary Kathleen, 1951-

Table of Contents: “…Bastien und Bastienne ; Die Entführung aus dem Serail ; Der Schauspieldirektor ; Die Zauberflöte (The magic flute) -- Mozart and opera buffa. …”

W.A. Mozart / by Abert, Hermann, 1871-1927

Table of Contents: “…Childhood -- Travels of the child prodigy -- Works from the grand tour -- Studies in Salzburg -- The first operas in Vienna -- Gesellschaftsmusik and church music of 1769 -- The first Italian journey -- The second and third Italian journeys -- Opera seria -- Early operas and the oratorio la betulia liberata -- Church and instrumental works, 1769-1773 -- On the road to 'La finta giardiniera' -- Opera buffa -- La finta giardiniera -- Mozart in Salzburg, 1775 -- Munich and Augsburg -- Mannheim -- Arrival in Paris : tragédie lyrique -- 'Opéra comique' -- The music dramas of Gluck -- Mozart in Paris -- Homecoming -- Service at the Salzburg court -- Sacred and instrumental works, 1779-1781-- König Thamos and Zaide -- Idomeneo -- First steps in Vienna -- The German singspiel -- Die Entführung aus dem Serail -- Engagement and marriage -- Mozart's personality -- Relations with Constanze, friends and colleagues, 1782-1786 -- Mozart and Freemasonry -- In the service of the aristocracy and society -- Plans for new operas -- Mozart and artistic creativity -- Perfpimd changes in style: the influence of J.S. …”

The new Milton Cross' complete stories of the great operas. by Cross, Milton, 1897-1975

Table of Contents: “…L'Africaine by Meyerbeer -- Aida by Verdi -- Amahl and the Night Visitors by Menotti -- L'Amore Dei Tre Re by Montemezzi -- Andrea Chenier by Giordano -- Arabella by Strauss -- Ariadne auf Naxos by Strauss -- Un Ballo in Maschera by Verdi -- Il Barbiere di Siviglia by Rossini -- The Bartered Bride by Smetana -- La boheme by Puccini -- Boris Godunof by Moussorgsky -- Carmen by Bizet -- Cavalleria Rusticana by Mascagni -- La Cenerentola by Rossini -- Les Contes d'Hoffmann by Offenbach -- Cosi Fan Tutte by Mozart -- Don Carlos by Verdi -- Don Giovanni by Mozart -- Don Pasquale by Donizetti -- Die Entfuhrung aus dem Serail by Mozart -- Falstaff by Verdi -- Faust by Gounod -- Fedelio by Beethoven -- La Figlia del Reggimento by Donizetti -- Die Fledermaus by Strauss -- Der Fliegende Hollander by Wagner -- La Forza del Destino by Verdi -- Der Freischutz by Weber -- Gianni Schicchi by Puccini -- La Gioconda by Ponchielli -- Hansel und Gretel by Humperdinck -- Lakme by Delibes -- Lohengrin by Wagner -- Louise by Charpentier -- The Love for Three Oranges by Prokofiev -- Lucia di Lammermoor by Donizetti -- Madama Butterfly by Puccini -- Manon by Massenet -- Manon Lescaut by Puccini -- Martha by Flotow -- The Medium by Menotti -- Mefistofele by Boito -- Die Meistersinger von Nurnberg by Wagner -- Mignon by Thomas -- Norma by Bellini -- Le Nozze di Figaro by Mozart -- Orfeo ed Euridice by Gluck -- Otello by Verdi -- Pagliacci by Leoncavallo -- Parsifal by Wagner -- Pelleas et Melisande by Debussy -- Peter Grimes by Britten -- Rigoletto by Verdi -- Der Ring des Nibelungen by Wagner -- Romeo et Juliette by Gounod -- Der Rosenkavalier by Strauss -- The Saint of Bleecker Street by Menotti -- Salome by Strauss -- Samson et Dalila by Saint-Saens -- Simon Boccanegra by Verdi -- La Sonnambula by Bellini -- Tannhauser by Wagner -- Thais by Massenet -- Tosca by Puccini -- La Traviata by Verdi -- Tristan und Isolde by Wagner -- Il Trovatore by Verdi -- Turandot by Puccini.…”

The opera manual / by Martin, Nicholas Ivor

Table of Contents: “….) ; La Battaglia di Legnano (Verdi) ; The Battle of Legnano (Verdi) ; The Bear (Walton) ; Béatrice (Messager) ; Béatrice and Bénédict (Berlioz) ; Beatrice di Tenda (Bellini) ; Béatrice et Bénédict (Berlioz) ; Beatrice of Tenda (Bellini) ; Beatrix Cenci (Ginastera) ; The Beautiful Helen (Offenbach) ; Beauty and the Beast (Giannini) ; The Beggar Student (Millöcker) ; The Beggar's Opera (Pepusch) ; La Belle Hélène (Offenbach) ; Beltane Fire (Strauss) ; Benvenuto Cellini (Berlioz) ; Bertha (Rorem) ; Der Besuch der alten Dame (Einem) ; Betrothal in a Convent (Prokofiev) ; Der Bettelstudent (Millöcker) ; Billy Budd (Britten) ; The Black Domino (Auber) ; Bluebeard's Castle (Bartók) ; Boccaccio (Suppé) ; La Bohème (Leoncavallo) ; La Bohème (Puccini) ; The Bohemian (Leoncavallo) ; The Bohemian (Puccini) ; The Bohemian Girl (Balfe) ; Bomarzo (Ginastera) ; The Boor (Argento) ; Boris Godunov (Musorgsky) ; Brandenburgers in Bohemia (Smetana) ; Braniboři v Čechách (Smetana) ; The Breasts of Tirésias (Poulenc) ; The Bridge of Sighs (Offenbach) ; A Brief Life (de Falla) ; The Brigands (Offenbach) ; Les Brigands (Offenbach) ; Brother Devil (Auber) ; The Burning Fiery Furnace (Britten) ; Calisto (Cavalli) ; La Calisto (Cavalli) ; La Cambiale di Matrimonio (Rossini) ; La Campanello Sommersa (Respighi) ; Il Campanello (Donizetti) ; Il Campiello (Wolf-Ferrari) ; Candide (Bernstein) ; Capriccio (Strauss) ; I Capuleti e i Montecchi (Bellini) ; The Capulets and the Montagues (Bellini) ; Cardillac (Hindemith) ; Carmen (Bizet) ; Carry Nation (Moore) ; Casanova's Homecoming (Argento) ; Castor and Pollux (Rameau) ; Castor et Pollux (Rameau) ; Caterina Cornaro (Donizetti) ; The Cavalieri di Ekebù (Zandonai) ; Cavalleria Rusticana (Mascagni) ; La Cena delle Beffe (Giordano) ; Cendrillon (Massenet) ; La Cenerentola (Rossini) ; Čert a Káča (Dvořák) ; The Child and the Spells (Ravel) ; The Christmas Rose (Bridge) ; The Cid (Massenet) ; Le Cid (Massenet) ; Čím človĕk žije (Martinů) ; Cinderella (Massenet) ; Cinderella (Rossini) ; The Clemency of Titus (Mozart) ; La Clemenza di Tito (Mozart) ; Cleopatra (Massenet) ; Cléopâtre (Massenet) ; The Cloak (Puccini) ; The Clowns (Leoncavallo) ; Cold Sassy Tree (Floyd) ; The Combat of Tancred and Clorinda (Monteverdi) ; Il Combattimento di Tancredi e Clorinda (Monteverdi) ; Comedy on the Bridge (Martinů) ; The Comic Duel (Paisiello) ; Le Comte Ory (Rossini) ; The Consul (Menotti) ; Le Contes d'Hoffmann (Offenbach) ; Le Convenienze ed Inconvenieze Teatrali (Donizetti) [under Viva la Mamma] ; Coq d'Or (Rimsky-Korsakov) [under the Golden Cockerel] ; The Coronation of Poppea (Monteverdi) ; Der Corregidor (Wolf) ; The Corsair (Verdi) ; Il Corsaro (Verdi) ; Così fan tutte (Mozart) ; The Count Ory (Rossini) ; Countess Maritza (Kálmán) ; The Cricket on the Hearth (Goldmark) ; The Crucible (Ward) ; Cruzar la Cara de la Luna (Martínez) ; Cumberland Fair (Wilder) ; The Cunning Little Vixen (Janáček) ; Dalibor (Smetana) ; La Damnation de Faust (Berlioz) ; The Damnation of Faust (Berlioz) ; The Dangerous Liaisons (Susa) ; Daphne (Strauss) ; The Daughter of the Regiment (Donizetti) ; The Dead City (Korngold) ; Dead Man Walking (Heggie) ; Death in Venice (Britten) ; Dèbora and Jaéle (Pizzetti) ; A Defective Education (Chabrier) ; Le Dernier Sauvage (Menotti) ; Des Esels Schatten (Stauss) ; The Desert Song (Romberg) ; Destiny (Janáček) ; The Devil and Daniel Webster (Moore) ; The Devil and Kate (Dvořák) ; The Devil Take Her (Benjamin) ; The Devils of Loudun (Penderecki) ; Dialogues des Carmélites (Poulenc) ; Dialogues of the Carmelites (Poulenc) ; Dido and Æneas (Purcell) ; Le Docteur Miracle (Bizet) ; Doctor Atomic (Adams) ; Doctor Cupid (Wolf-Ferrari) ; Doctor Faust (Busoni) ; Doctor Miracle (Bizet) ; Doktor Faust (Busoni) ; Dom Sébastien (Donizetti) ; Domino Noir (Auber) ; Don Carlo (Verdi) ; Don Giovanni (Mozart) ; Don Pasquale (Donizetti) ; Don Quichotte (Massenet) ; Don Rodrigo (Ginastera) ; The Donkey's Shadow (Strauss) ; La Donna del Lago (Rossini) ; Le Donne Curiose (Wolf-Ferrari) ; Double Trouble (Mohaupt) ; Down in the Valley (Weill) ; The Dream of Scipio (Mozart) ; Die Dreigroschenoper (Weill) ; I Due Foscari (Verdi) ; Il Duello Comico (Paisiello) ; The Duenna (Prokofiev) [under Betrothal in a Convent] ; Dvakrát Alexandr (Martinů) ; Edgar (Puccini) ; The Egyptian Helen (Strauss) ; Einstein on the Beach (Glass) ; El Retablo de Maese Pedro (de Falla) ; Elegie für junge Liebende (Henze) ; Elegy for Young Lovers (Henze) ; Elektra (Strauss) ; Elisabetta (Rossini) ; E'Elisir d'Amore (Donizetti) ; The Elixir of Love (Donizetti) ; The End of a World (Henze) ; Das Ende einer Welt (Henze) ; L'Enfant et lest Sortilèges (Ravel) ; L'Enfant Prodigue (Debussy) ; Die Englische Katze (Henze) ; The English Cat (Henze) ; L'Enlèvement d'Europe (Milhaud) ; Die Entführung aus dem Serail (Mozart) ; Ernani (Verdi) ; Erwartung (Schönberg) ; Esclarmonde (Massenet) ; Esther (Weisgall) ; Eugene Onegin (Tchaikovsky) ; Euridice (Peri) ; Euryanthe (Weber) ; Evgeny Onegin (Tchaikovsky) ; The Excursions of Mr.…”