Published 2013
Table of Contents:
“…The interplay of commerce and culture before the First World War: The rise of haute couture -- The rise of consumerism -- The interplay of commerce and culture -- The art of fashion advertising -- The democratization of fashion: machine age aesthetics -- Flooding the American market: reproductions and fakes -- Coco Chanel -- Framing fashion: the artists who made clothes -- Modernist abstract design -- Delaunay: Cubism -- Stepanova and Popova: Russian constructivism -- Schiaparelli: surrealism -- Balenciaga: organic modernism -- Viktor & Rolf: neo-Dadaism -- Martin Margiela: postmodern deconstruction -- Hussein Chalayan: techno-design -- Fashioning the American body -- The home of ready-to-wear: Seventh Avenue, New York -- Menswear: shirts -- A fashion icon: Levi's jeans -- Decades of dominance: American dress in
Hollywood film -- American conservatism: the designer/stylist: Lauren, Klein and Karan -- Global conglomerates -- Postmodernism and fashion: A cultural contextualization -- Postmodernism in fashion and art -- Popular culture and pastiche: Quant, Courrèges, Cardin, Saint Laurent and Ashley -- The T-shirt: a blank canvas -- Disposable fashion -- Youth codes: the hippie movement -- Anti-fashion -- The deviance of fashion -- Punk fashion: Rhodes and Westwood -- Fashion as ideology: Benetton, Moschino and Gaultier -- Street style -- Japanese conceptual fashion -- Issey Miyake, Yohji Yamamoto and Rei Kawakubo -- The aesthetics of poverty -- A cultural heritage -- Textile design -- Conceptualization -- Harajuku street fashion -- Global practices: 1980s onwards -- The death of haute couture? …”
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