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Steven Soderbergh /
Published 2011Table of Contents: “…Music and Authorship in Ocean's Eleven and The LimeyINTERVIEWS WITH STEVEN SODERBERGH; Filmography; Bibliography; Index.…”
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The cinema of Steven Soderbergh : indie sex, corporate lies, and digital videotape /
Published 2013CONNECT
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The philosophy of Steven Soderbergh /
Published 2011Table of Contents: “…Philosophical reflections on Steven Soderbergh's Kafka / Ivo Ritzer -- Responsibility and self-centered narration in Erin Brockovich / Andrew Patrick Nelson -- Schizopolis as philosophical autobiography / Drew Morton -- Politics, morals, methodology. …”
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Prestige Television : Cultural and Artistic Value in Twenty-First-Century America.
Published 2022Table of Contents: “…8 Running The Knick Show: Transfusing Steven Soderbergh's Authorial Persona into the Prestige Medical Series --…”
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Doing Time.
Published 2016Table of Contents: “…Introduction -- Timeliness and contemporary cinema -- Biding our time: rethinking the familiar in Steven Soderbergh's The limey -- Back and forth: reading reverse chronology in François Ozon's 5x2 -- Enduring time: temporal duration in Tsai Ming-liang's What time is it there? …”
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Alternative scriptwriting : successfully breaking the rules /
Published 2007Table of Contents: “…Beyond the rules -- Structure -- Critique of restorative three-act form -- Counter-structure -- More thoughts on three acts : fifteen years later -- Narrative and anti-narrative : the case of the two Stevens : the work of Steven Spielberg and Steven Soderbergh -- Working with genre I -- Working with genre II : the meldodrama and the thriller -- Working against genre -- Genres of voice -- The non-linear film -- Reframing the active/passive character distinction -- Stretching the limits of character identification -- Main and secondary characters -- Subtext, action, and character -- The primacy of character over action : the non-American screenplay -- The subtleties and implications of screenplay form -- Agency and the other -- Character, history, and politics -- Tone : the inescapability of irony -- Dramatic voice/narrative voice -- Digital features -- Writing the narrative voice -- Rewriting -- Adaptations from contemporary literature -- Personal scriptwriting : the edge -- Personal scriptwriting : beyond the edge.…”
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