Max Reinhardt / by Styan, J. L.

Max Reinhardt Regiebuch zu Hugo von Hofmannsthals "Jedermann" : Edition & kommentare.

CONNECT

Max Reinhardt Regiebuch zu Hugo von Hofmannsthals "Jedermann" : Faksimile.

CONNECT

Max Reinhardt in Europa.

“…Publikation der Max Reinhardt-Forschungsstätte, 4.…”

The theatre of Max Reinhardt. by Carter, Huntly

Max Reinhardt and his theatre. by Sayler, Oliver Martin, 1887-

Max Reinhardt's Grosses Schauspielhaus : its artistic goals, planning, and operation, 1910-1933 / by Hostetter, Anthony

The Shakespeare productions of Max Reinhardt / by Tollini, Frederick Paul

The genius : a memoir of Max Reinhardt / by Reinhardt, Gottfried

A midsummer night's dream

The haunted screen; expressionism in the German cinema and the influence of Max Reinhardt by Eisner, Lotte H.

The Routledge companion to directors' Shakespeare /

Table of Contents:

Modern international drama.

The director and the stage : from naturalism to Grotowski / by Braun, Edward

Table of Contents: “…The Meiningen theatre -- Antoine and the théâtre libre -- The symbolist theatre -- Alfred Jarry -- Stanislavsky and Chekhov -- Edward Gordon Craig -- Max Reinhardt in Germany and Austria -- Meyerhold, the first five years -- Meyerhold, theatre as propaganda -- Piscator in Berlin -- Brecht's formative years -- Artaud's theatre of cruelty -- Grotowski's laboratory theatre / [by Jennifer Kumiega]…”

Jews and the making of modern German theatre /

Table of Contents: “…Malkin -- The shaping of the Ostjude: Alexander Granach and Shimon Finkel in Berlin / Shelly Zer-Zion -- Max Reinhardt between Yiddish theatre and the Salzburg Festival / Lisa Silverman -- Theatre as festive play: Max Reinhardt's productions of The merchant of Venice / Erika Fischer-Lichte -- The unknown Leopold Jessner: German theatre and Jewish identity / Anat Feinberg -- Epilogue.…”
CONNECT
CONNECT

Shakespeare films in the making : vision, production and reception / by Jackson, Russell, 1949-

Table of Contents: “…Introduction: 'Such stuff as dreams are made on' -- Max Reinhardt's recurring dream: Hollywood, 1935 -- Pastoral-historical: Laurence Olivier's Henry V, 1944 -- Visions of Renaissance Italy: 'More stars than there are in heaven': MGM's Romeo and Juliet, 1936; Realism and romance: Renato Castellani's Giulietta e Romeo, 1954; Shakespeare's 'dream of Italy' and the generation gap: Franco Zeffirelli's Romeo and Juliet, 1968.…”
CONNECT

Theatre, sacrifice, ritual : exploring forms of political theatre / by Fischer-Lichte, Erika

Table of Contents: “…Prologue : Electra's transgressions -- Reconceptualizing theatre and ritual -- Re-inventing a people's theatre : Max Reinhardt's Theatre of the five thousand -- Re-inventing ritual : the Olympic Games -- Times of revolution, times of festival : the Soviet mass spectacles, 1917-1920 -- Producing the Volk community : the Thingspiel movement 1933-36 -- Towards the rebirth of a nation : American Zionist pageants 1932-1946 -- Bringing about a crisis -- The Bacchae : dismembering the text -- The rebirth of tragedy out of the chorus -- Epilogue : renouncing sacrifice.…”
CONNECT

Pirandello in context /

Table of Contents: “…Wilmer -- The Royal Italian Academy / Guido Bonsaver -- Marta Abba / Pietro Frassica -- Massimo Bontempelli / Patricia Gaborik -- Gian Francesco Malipiero / Anna Harwell Celenza -- Georges Pitoëff / Anna Frabetti -- Max Reinhardt / Michael Rössner -- George Bernard Shaw / John A. …”
CONNECT

Queering the Shakespeare film : gender trouble, gay spectatorship and male homoeroticism / by Patricia, Anthony Guy

Table of Contents: “…Introduction: The presence of the queer in the Shakespeare film -- 1 Max Reinhardt and William Dieterle's A Midsummer Night's Dream and the queer problematics of gender, sodomy, marriage and masculinity -- 2 The queer director, gay spectatorship and three cinematic productions of Shakespeare's 'straightest' play -- Romeo and Juliet -- 3 The visual poetics of gender trouble in Trevor Nunn's Twelfth Night, Baz Luhrmann's Romeo + Juliet and Michael Hoffman's William Shakespeare's A Midsummer Night's Dream -- 4 Screening the male homoerotics of Shakespearean romantic comedy on film in Michael Radford's The Merchant of Venice and Trevor Nunn's Twelfth Night -- 5 'I am your own forever': Iago, queer self-fashioning and the cinematic Othellos of Orson Welles and Oliver Parker -- Conclusion: Queering the Shakespeare film in the early twenty-first century.…”
CONNECT
CONNECT

Strindberg's Ghost Sonata. by Törnqvist, Egil

CONNECT
CONNECT