Published 2019
Table of Contents:
“…Love, politics and the making of the modern European subject: Spanish
Romanticism and the Arab world -- Liberal individualism and the fear of the feminine in Spanish
Romantic drama -- Being there: the documentary impulse from Ayguals de Izco to Galdós -- Things in Galdós / Galdós things: use value and exchange value -- Time-space compression and memory in Galdós's Fortunata y Jacinta -- The obstinate negativity of Ana Ozores -- Modernity as representation: the self-reflexivity of the Spanish realist novel -- Horror, spectacle, and nation formation: historical painting in late nineteenth-century Spain -- Cinematic city: the Spanish avant-garde, modernity and mass culture -- Women, Asian hordes and the threat to the self in Giménez Caballero's Genio de España -- Political readings of Don Juan and
romantic love in Spain from the 1920s to the 1940s -- The politics of the everyday and the eternity of ruins: two women photographers in republican Spain (Margaret Michaelis 1933-37, Kati Horna, 1937-38) -- Resemanticizing feminine surrender: cross-gender identifications in the writings of Spanish female fascist activists -- Romancing the early Franco regime: the novelas románticas of Concha Linares-Becerra and Luisa-María Linares -- Gender and history: Spanish cinema in the early Franco
period -- Three nationalist film versions of the Civil War: España heroica (Reig, 1937), Sin novedad en el Alcázar (Genina, 1940), ¡El santuario no se inde! …”
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