Creativity and Reproduction : Nineteenth Century Engraving and the Academy.

Table of Contents: “…Cover13; -- Contents13; -- LIST OF ILLUSTRATIONS -- ACKNOWLEDGEMENTS -- LIST OF ABBREVIATIONS -- INTRODUCTION -- CHAPTER ONE: THE ART ACADEMY AND THE GRAPHIC ARTS -- Part I: he Role of Engraving at the Acad233;mie Royale de Sculpture et de Peinture -- Part II: he Role of the Graphic Arts in the Official Art ssociations during the French Revolution -- Part III: T he Institut National, 1795-1803 -- Part IV: he Role of Engraving at the Institut, 1795-1803 -- Part V: he Creation of a Section de Gra vure at the Institut de Fra nce in 1803 -- CHAPTER TWO: SECTION GRAVU RE STITUT FRANCE13; -- Part I: he Composition of the section de vure -- Part II: he Hierarchy of Print Genres -- Part III: Patronage of Medal Engraving -- Part IV: he Preservation of Gem Engraving -- Part V: he Report on the Development of the Arts and he Prix D233;cennaux -- Part VI: The Education of Artists13; -- CHAPTER THREE: THE CREATION OF THE ROME PRIZE FOR ENGRAVING13; -- Part I: he Debate of a Rome Priz e for Engraving in id-Eighteenth Century -- Part II: he Engravers Struggle for Artistic Recognition during the Revolution -- Part III: ngraving and Political Propaganda during the Directory Period -- Part IV: he Creation of the Rome Priz e at the Institut de Fra nce -- CHAPTER FOUR: THE TRAINING OF ENGRAVERS AND THE GRAND PRIX DE GRAVURE13; -- Part I: raining in the Masters Workshop and at the 233;cole des Beaux-Arts -- Part II: he Rome Priz e Competition -- Part III: he Prix de Rome Engravings -- CHAPTER FIVE: THE ENGRAVER'S TRAINING IN ROME13; -- Part I: ome and its Artistic Environment -- Part II: raining the Gra veur Artiste -- Part III: ngraving as Conservation -- Part IV: he Emulation of Sculpture in Medal and em Engraving -- CONCLUSION13; -- APPENDIX A13; -- ENDNOTES13.…”
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Everything is relevant : writings on art and life 1991-2018 / by Lum, Ken, 1956-

Table of Contents: “…Introduction : Ken Lum loves to write : twenty-seven years of essays, reviews, and critical texts / Kitty Scott - 1991-2000 - Carnegie Library Project, 1991 - Homes, 1993 - Soft landing, 1995 - The difference between art and fact, 1995 - Seven moments in the life of a Chinese Canadian artist, 1997 - 6 : New Vancouver modern, 1998 - The ambivalent gaze of Thomas Ruff, 1998 - Dak'Art 98, the Dakar Biennale, 1998 - On board the raft of the Medusa, 1999 - Untitled, 1999 - Canadian cultural policy : a problem of metaphysics, 1999 - The London art diaries, 1999-2000 - 2001-2010 - Inaugural editorial, 2002 - Prix de Rome commentary, 2003 - Aesthetic education in republican China : a convergence of ideals, 2004 - Should artists be curating the next documenta?…”
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