Collection, laboratory, theater : scenes of knowledge in the 17th century /

Table of Contents: “…The Case of the Library -- Clemens Risi -- The Operatic Stage as an Experimental Space for Affections: -- About the Concepts of Affections Asserted by Athanasius Kircher and -- Claudio Monteverdi -- V -- Vii -- Xi -- 1 -- 9 -- 35 -- 57 -- 75 -- 103 -- 122 -- 146 -- Contents VIII -- Doris Kolesch -- The Cartography of Emotions: Power, Play, and the Politics of Love in -- 17th Century France -- Jan Lazardzig -- Universality and Territoriality: On the Architectonic of Academic -- Social Life Exemplified by the Brandenburg Universität der Völker, -- Wissenschaften und Künste (1666/67) -- Beket Bukovinsk -- The Known and Unknown Kunstkammer of Rudolf II -- Robert Felfe -- Collections and the Surface of the Image: Pictorial Strategies in Early- -- Modern Wunderkammern -- Horst Bredekamp -- Kunstkammer, Play-Palace, Shadow Theatre: Three Thought Loci by -- Gottfried Wilhelm Leibniz -- Olaf Breidbach -- On the Representation of Knowledge in Athanasius Kircher -- Wilhelm Schmidt-Biggemann -- Pythagorean Musical Theater: Space, Time, and Numerical Speculation -- in the Ancient Metaphysical Fashion -- Florian Nelle -- Eucharist and Experiment: Spaces of Certainty in the 17th Century -- Barbara Maria Stafford -- Artificial Intensity: Images, Instruments, and the Technology of -- Amplification -- Hartmut Böhme -- The Metaphysics of Phenomena: Telescope and Microscope in the -- Works of Goethe, Leeuwenhoek and Hooke -- Samuel Y. …”
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