Die Musikphilosophie Thomas Manns. by Jung-Kaiser, Ute

Past masters and other papers / by Mann, Thomas, 1875-1955

A history of the German novella from Goethe to Thomas Mann / by Bennett, Edwin Keppel

Griffelkin : an opera in three acts / by Foss, Lukas, 1922-2009

The Doctor Faustus dossier : Arnold Schoenberg, Thomas Mann, and their contemporaries, 1930-1951 /

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Death in Venice : an opera in two acts : op. 88 / by Britten, Benjamin, 1913-1976

Sound figures of modernity : German music and philosophy /

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Essays on music and language in modernist literature : musical modernism /

Table of Contents: “…A strict arrangement : Thomas Mann, Doctor Faustus, and the Kretzschmar lectures /…”

Rogues' gallery profiles of my eminent contemporaries / by Scully, Frank, 1892-1964

Table of Contents: “…--Luigi Pirandello.--Thomas Mann.--Theodore Dreiser.--Heywood Broun.--Harry Bridges.…”

Always magic in the air : the bomp and brilliance of the Brill Building era / by Emerson, Ken, 1948-

Table of Contents: “…-- Partners in chutzpah -- The young lovers -- Putting the bomp in the bomp, bomp, bomp -- In the garden of Aldon -- "It was just Jewish Latin" -- Baby talk -- At work in the Elvis atelier -- The magician and the mensch -- Selling out -- Seesaw -- Double trouble -- Golden girls -- "Somethin' died" -- Swinging London -- From the Monkees to Thomas Mann.…”

Music for the Superman : Nietzsche and the Great Composers. by Huckvale, David

Table of Contents: “…Ferruccio Busoni; 15. Thomas Mann; Finale: Nietzsche and Popular Music ; Chapter Notes ; Bibliography ; Index.…”
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Musical biographies : the music of memory in post-1945 German literature / by Ben-Horin, Michal

Table of Contents: “…Overture : German catastrophe and the rebirth of musical biography -- Thomas Mann : dissonance as a mode of documentation -- Interlude I. …”
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Directions in contemporary literature by Buck, Philo Melvin, 1877-1950

Table of Contents: “…--The promise and the blessing: Thomas Mann.--Till hope creates: Conclusion.--A suggested bibliography (p. 337-348)…”

Drama and the world of Richard Wagner / by Borchmeyer, Dieter

Table of Contents: “…Love's madness, fairy-tale enchantment, and a Sicilian carnival : Die Hochzeit, Die Feen, and Das Liebesverbot -- On the uses and disadvantages of history for the music drama-grand opera : Die hohe Braut, Rienzi, and their consequences -- The transformations of Ahasuerus : The flying Dutchman and his metamorphoses -- Venus in exile : Tannhüuser between romanticism and young Germany -- Lohengrin : the mythical palimpsest of Wagner's last romantic opera -- Love and objectification in the music drama : Tristan's Isolde and her sisters -- Nuremberg as an aesthetic state : Die Meistersinger, an image and counterimage of history -- The myth of the beginning and end of history : Der Ring des Nibelungen -- Redemption and apocatastasis : Parsifal and the religion of the late Wagner -- An encounter between two anomalies : King Ludwig II and Wagner -- Wagner and Bismarck : an epoch-making nonrelationship -- Two-faced passion : Nietzsche's critique of Wagner -- Parallel action : Thomas Mann's response to Wagner -- The disinherited heir to the throne : Franz Wilhelm Beidler, Wagner's "lost grandson," a postlude.…”

The work of opera : genre, nationhood, and sexual difference /

Table of Contents: “…Solie -- "Eros is in the word" : music, homoerotic desire, and the psychopathologies of fascism, or the "strangely fruitful intercourse" of Thomas Mann and Benjamin Britten / Daniel Fischlin -- Imagined communities : postnational Canadian opera / Linda Hutcheon and Michael Hutcheon -- Mozart and the politics of intimacy : The marriage of Figaro in Toronto, Paris, and New York / Richard Dellamora -- Strange meeting : Wilfred Owen, Benjamin Britten, Derek Jarman, and the War requiem / Jim Ellis -- Metropolitan opera/suburban identity / Kevin Kopelson -- Divas and disease, mourning and militancy : Diamanda Galas's operatic Plague Mass / Rebecca A. …”

Music and German national identity /

Table of Contents: “…Bergen -- National and Universal : Thomas Mann and the paradox of "German" music / Hans Rudolf Vaget -- Culture, society, and politics in the cosmos of "Hans Pfitzner the German" / Michael H. …”

Essays on literature and music (1967-2004) / by Scher, Steven P.

Table of Contents: “…: Der Realismusbegriff in der Musik (1975) -- Kreativität als Selbstüberwindung: Thomas Manns permanente 'Wagner-Krise' (1976) -- Temporality and Mediation: W. …”
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Irony and sound : the music of Maurice Ravel / by Zank, Stephen, 1950-

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German song onstage : lieder performance in the nineteenth and early twentieth centuries /

Table of Contents: “…ǂt "Eine wahre Olla Patrida [sic]": Anna Milder-Hauptmann, Schubert, and programming the Orient / ǂr Susan Youens -- ǂt Song in concert as observed by the Schumans: toward the personalization of the public stage / ǂr Benjamin Binder -- ǂt From miscellanies to musical works: Julius Stockhausen, Clara Schumann, and Dichterliebe / ǂr Natasha Loges -- ǂt Natalia Macfarren and the English German lied / ǂr Katy Hamilton -- ǂt "For any ordinary performer it would be absurd, ridiculous, or offensive": performing lieder cycles on the American stage / ǂr Heather Platt -- ǂt The concert hall as a gender-neutral space: the case of Amalie Joachim, nèe Schneeweiss / ǂr Beatrix Borchard ; translated by Jeremy Coleman -- ǂt Nikolai Medtner: championing the German lied and Russian spirit / ǂr Maria Razumovskaya -- ǂt From the benefit concert to the solo song recital in London, 1870-1914 / ǂr Simon McVeigh and William Weber -- ǂt German song and the working classes in Berlin, 1980-1914 / ǂr Wiebke Rademacher -- ǂt Lili Lehmann's dedicated lieder recitals / ǂr Rosamund Cole -- ǂt "Eine Reihe bunter Zauberbilder": Thomas Mann, Hans Pfitzner, and the politics of song accompaniment / ǂr Nicholas Attfield -- ǂt Performers' reflections / ǂr Natasha Loges and Laura Tunbridge.…”
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German song onstage : lieder performance in the nineteenth and early twentieth centuries /

Table of Contents: “…ǂt "Eine wahre Olla Patrida [sic]": Anna Milder-Hauptmann, Schubert, and programming the Orient / ǂr Susan Youens -- ǂt Song in concert as observed by the Schumans: toward the personalization of the public stage / ǂr Benjamin Binder -- ǂt From miscellanies to musical works: Julius Stockhausen, Clara Schumann, and Dichterliebe / ǂr Natasha Loges -- ǂt Natalia Macfarren and the English German lied / ǂr Katy Hamilton -- ǂt "For any ordinary performer it would be absurd, ridiculous, or offensive": performing lieder cycles on the American stage / ǂr Heather Platt -- ǂt The concert hall as a gender-neutral space: the case of Amalie Joachim, nèe Schneeweiss / ǂr Beatrix Borchard ; translated by Jeremy Coleman -- ǂt Nikolai Medtner: championing the German lied and Russian spirit / ǂr Maria Razumovskaya -- ǂt From the benefit concert to the solo song recital in London, 1870-1914 / ǂr Simon McVeigh and William Weber -- ǂt German song and the working classes in Berlin, 1980-1914 / ǂr Wiebke Rademacher -- ǂt Lili Lehmann's dedicated lieder recitals / ǂr Rosamund Cole -- ǂt "Eine Reihe bunter Zauberbilder": Thomas Mann, Hans Pfitzner, and the politics of song accompaniment / ǂr Nicholas Attfield -- ǂt Performers' reflections / ǂr Natasha Loges and Laura Tunbridge.…”
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