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Shakespeare and war /
Published 2019Table of Contents: “…Makaryk -- The Comedy of Hamlet in Nazi-Occupied Warsaw : An Exploration of Lubitsch's To Be or Not to Be (1942) / Reiko Oya -- The Lion and the Lamb : Hamlet in London during World War II / Zoltán Márkus -- Dividing to Conquer or Joining the ReSisters : Shakespeare's Lady Anne (and Woolf's Three Guineas) in the Wake of #MeToo / Diana E. …”
Conference Proceeding Book -
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Digital and virtual Shakespeare /
Published 2023Table of Contents: “…: Representations of Shylock in Meiji Japan (1868-1912) / Reiko Oya -- Hamlet, Translation and the Linguistic Conditions of Thought / Jessica Chiba -- The Pietas of Dogberry / Sean Benson -- Taylor Mac's Gary and Queer Failure in Titus Andronicus / Louise Geddes -- 'I Would Cure You': Self-Help Advice on Love in Sidney and Shakespeare / Ceri Sullivan -- Shakespeare in Arden: Pragmatic Markers and Parallels / Duncan Salkeld -- Sycorax's Hoop / Hanh Bui -- Shakespeare Performances in England, 2022 / Lois Potter, London Productions -- Productions Outside London / Peter Kirwan -- Professional Shakespeare Productions in the British Isles, January-December 2021 / James Shaw -- The Year's Contribution to Shakespeare Studies 1. …”
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Shakespeare and the city /
Published 2020Table of Contents: “…: Britain's twenty-first century obsession with celebrity Hamlet (2008-2018) Gemma Kate Allred -- 15. Shakespearean performance in England 2019 Stephen Purcell and Paul Prescott -- 16. …”
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The Cambridge Shakespeare guide /
Published 2012Table of Contents: “…Context and compositionPerformances; Themes and interpretation; Cymbeline, King of Britain; Plot and characters; Context and composition; Performances; Themes and interpretation; Hamlet; Plot and characters; Context and composition; Performances; Themes and interpretation; Julius Caesar; Plot and characters; Context and composition; Performances; Themes and interpretation; King Henry IV Part 1; Plot and characters; Composition and context; Performances; Themes and interpretations; King Henry IV Part 2; Plot and characters; Context and composition; Performances; Themes and interpretation.…”
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