German song onstage : lieder performance in the nineteenth and early twentieth centuries /

Table of Contents: “…ǂt "Eine wahre Olla Patrida [sic]": Anna Milder-Hauptmann, Schubert, and programming the Orient / ǂr Susan Youens -- ǂt Song in concert as observed by the Schumans: toward the personalization of the public stage / ǂr Benjamin Binder -- ǂt From miscellanies to musical works: Julius Stockhausen, Clara Schumann, and Dichterliebe / ǂr Natasha Loges -- ǂt Natalia Macfarren and the English German lied / ǂr Katy Hamilton -- ǂt "For any ordinary performer it would be absurd, ridiculous, or offensive": performing lieder cycles on the American stage / ǂr Heather Platt -- ǂt The concert hall as a gender-neutral space: the case of Amalie Joachim, nèe Schneeweiss / ǂr Beatrix Borchard ; translated by Jeremy Coleman -- ǂt Nikolai Medtner: championing the German lied and Russian spirit / ǂr Maria Razumovskaya -- ǂt From the benefit concert to the solo song recital in London, 1870-1914 / ǂr Simon McVeigh and William Weber -- ǂt German song and the working classes in Berlin, 1980-1914 / ǂr Wiebke Rademacher -- ǂt Lili Lehmann's dedicated lieder recitals / ǂr Rosamund Cole -- ǂt "Eine Reihe bunter Zauberbilder": Thomas Mann, Hans Pfitzner, and the politics of song accompaniment / ǂr Nicholas Attfield -- ǂt Performers' reflections / ǂr Natasha Loges and Laura Tunbridge.…”
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German song onstage : lieder performance in the nineteenth and early twentieth centuries /

Table of Contents: “…ǂt "Eine wahre Olla Patrida [sic]": Anna Milder-Hauptmann, Schubert, and programming the Orient / ǂr Susan Youens -- ǂt Song in concert as observed by the Schumans: toward the personalization of the public stage / ǂr Benjamin Binder -- ǂt From miscellanies to musical works: Julius Stockhausen, Clara Schumann, and Dichterliebe / ǂr Natasha Loges -- ǂt Natalia Macfarren and the English German lied / ǂr Katy Hamilton -- ǂt "For any ordinary performer it would be absurd, ridiculous, or offensive": performing lieder cycles on the American stage / ǂr Heather Platt -- ǂt The concert hall as a gender-neutral space: the case of Amalie Joachim, nèe Schneeweiss / ǂr Beatrix Borchard ; translated by Jeremy Coleman -- ǂt Nikolai Medtner: championing the German lied and Russian spirit / ǂr Maria Razumovskaya -- ǂt From the benefit concert to the solo song recital in London, 1870-1914 / ǂr Simon McVeigh and William Weber -- ǂt German song and the working classes in Berlin, 1980-1914 / ǂr Wiebke Rademacher -- ǂt Lili Lehmann's dedicated lieder recitals / ǂr Rosamund Cole -- ǂt "Eine Reihe bunter Zauberbilder": Thomas Mann, Hans Pfitzner, and the politics of song accompaniment / ǂr Nicholas Attfield -- ǂt Performers' reflections / ǂr Natasha Loges and Laura Tunbridge.…”
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