Settling the score : music and the classical Hollywood film / by Kalinak, Kathryn Marie, 1952-

Table of Contents: “…The language of music: a brief analysis of Vertigo -- A theory of film music -- The silent film score: a structural model -- The classical Hollywood film score: Captain Blood: a working model -- "Every character should have a theme": The informer: Max Steiner and the classical film score -- The "hysterical cult of the director": The magnificant Ambersons: music and theme -- "Not exactly classical, but sweet": Laura: new directions -- John Williams and "The empire" strike back: the eighties and beyond: classical meets contemporary.…”
CONNECT
CONNECT

How the West was sung : music in the Westerns of John Ford / by Kalinak, Kathryn Marie, 1952-

Table of Contents: “…"Based on American Folk Songs": Scoring the West in Stagecoach; 4. Two Fordian Film Scores: My Darling Clementine and The Man Who Shot Liberty Valance; 5. …”
CONNECT
CONNECT
CONNECT