Shane Meadows : critical essays /

Table of Contents: “…Introduction: Shane's world / Martin Fradley, Sarah Godfrey and Melanie Williams -- Structure and agency: Shane Meadows and the new regional production sectors / Jack Newsinger -- Twenty-first-century social realism: Shane Meadows and new British realism / Dave Forrest -- 'Al Fresco? that's up yer anus, innit?': Shane Meadows and the politics of abjection / Martin Fradley -- No more heroes: the politics of marginality and disenchantment in TwentyFourSeven and This is England / Jill Steans -- 'Now I'm The Monster': remembering, repeating and working through in Dead Man's Shoes and TwentyFourSeven / Paul Elliott -- 'An object of indecipherable bastardry -- a true monster': homosociality, homoeroticism and generic hybridity in Dead Man's Shoes / Clair Schwarz -- A message to you, Maggie: 1980s skinhead subculture and music in This Is England / Tim Snelson and Emma Sutton -- Changing spaces of 'Englishness': psychogeography and spatial practices in This is England and Somers Town / Sarah N. …”
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Shane Meadows : critical essays /

Table of Contents: “…Introduction: Shane's world / Martin Fradley, Sarah Godfrey and Melanie Williams -- Structure and agency: Shane Meadows and the new regional production sectors / Jack Newsinger -- Twenty-first-century social realism: Shane Meadows and new British realism / Dave Forrest -- 'Al Fresco? that's up yer anus, innit?': Shane Meadows and the politics of abjection / Martin Fradley -- No more heroes: the politics of marginality and disenchantment in TwentyFourSeven and This is England / Jill Steans -- 'Now I'm The Monster': remembering, repeating and working through in Dead Man's Shoes and TwentyFourSeven / Paul Elliott -- 'An object of indecipherable bastardry -- a true monster': homosociality, homoeroticism and generic hybridity in Dead Man's Shoes / Clair Schwarz -- A message to you, Maggie: 1980s skinhead subculture and music in This Is England / Tim Snelson and Emma Sutton -- Changing spaces of 'Englishness': psychogeography and spatial practices in This is England and Somers Town / Sarah N. …”
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