Woman and gender in Renaissance tragedy : a study of King Lear, Othello, The Duchess of Malfi, and The white devil / by Callaghan, Dympna

Shakespeare without women : representing gender and race on the Renaissance stage / by Callaghan, Dympna

Table of Contents: “…Introduction: Cleopatra had a way with her -- "And all is semblative a woman's part": body politics and Twelfth Night -- The castrator's song: Female impersonation on the early modern stage -- "Othello was a white man": properties of race on Shakespeare's stage -- Irish memories in The Tempest -- What is an audience?…”
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A feminist companion to Shakespeare.

Table of Contents: “…Black and white, and dread all over: the Shakespeare Theatre's Photonegative Othello and the body of Desdemona -- Part V. Performing sexuality: 13. …”
CONNECT

A feminist companion to Shakespeare /

Table of Contents: “…Singh -- The great Indian vanishing trick: colonialism, property, and the family in A midsummer night's dream / Ania Loomba -- Black ram, white ewe: Shakespeare, race and women / Joyce Green MacDonald -- Sycorax in Algiers: cultural politics and gynecology in early modern England / Rachana Sachdev -- Black and white, and dread all over: the Shakespeare theater's "photonegative" Othello and the body of Desdemona / Denise Albanese -- Women and boys playing Shakespeare / Juliet Dusinberre -- Mutant scenes and "minor" conflicts in Richard II / Molly Smith -- Lovesickness, gender, and subjectivity: Twelfth Night and As you like it / Carol Thomas Neely -- ... in the lesbian void: woman-woman eroticism in Shakespeare's plays / Theodora A. …”