Published 1999
Table of Contents:
“…Aspects of form in Orlando di Lasso's Magnificat settings / James Erb -- Orlando di Lasso and Andrea Gabrieli : two motets and their masses in a Munich choir book from 1564-65 / Marie Louise Göllner -- Post-Tridentine liturgical change and functional music : Lasso's cycle of polyphonic Latin hymns / Daniel Zager -- The salon as marketplace in the 1550s : patrons and collectors of Lasso's
secular music / Donna G. Cardamone -- Lasso's "Standomi un giorno" and the canzone in the mid-sixteenth century / Mary S. …”
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