Art 21 : art in the twenty-first century. Season 4, Episode 1, Romance /
The premiere hour features four distinctly different artists whose works pose questions about the role of emotion, regret, fantasy and nostalgia in contemporary art. Laurie Simmons' first feature film, The Music of Regret, gave her an opportunity to bring her photography to life. Staging scenes...
Saved in:
| Other Authors: | |
|---|---|
| Format: | Electronic Video |
| Language: | English |
| Published: |
Arlington, VA :
Public Broadcasting Service (PBS),
2007.
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| Series: | The PBS Video Collection, Second Edition
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| Subjects: | |
| Online Access: | CONNECT |
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| 520 | |a The premiere hour features four distinctly different artists whose works pose questions about the role of emotion, regret, fantasy and nostalgia in contemporary art. Laurie Simmons' first feature film, The Music of Regret, gave her an opportunity to bring her photography to life. Staging scenes with puppets, ventriloquist dummies and dancers costumed as everyday objects (a book, a clock, a cake), Simmons creates a nostalgic world that explores the sentiments of love and romance among family and neighbors. Lari Pittman draws inspiration from a childhood that allowed him to be creative and imaginative, as well as from an acute awareness of our country's attitude toward the gay community. His meticulously layered paintings transform decoration, pattern and signage into elaborate scenes that sweep viewers away with their dizzying complexity. Sculptor Judy Pfaff designed an exhibition around the sadness and loss she experienced following the deaths of several of her closest friends and family members. Balancing intense planning with improvisational decision-making on site, Pfaff creates a sprawling sculptural installation that explores the worlds of black and white and blends landscape and architecture into an organic whole. Pierre Huyghe uses various forms of expression to create new worlds and investigate the circulation of stories. His films, installations and public projects closely examine culture and boundaries and use playfulness and humor as a way to address complex social topics. From an expedition in Antarctica to a small-town parade, Huyghe thrives on the production and documentation of new and scripted realities. | ||
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