German cinema in the age of neoliberalism /
This book presents a new history of German film from 1980-2010, a period that witnessed rapid transformations, including intensified globalization, a restructured world economy, geopolitical realignment, and technological change, all of which have affected cinema in fundamental ways. Rethinking the...
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| Main Author: | |
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| Format: | eBook |
| Language: | English |
| Published: |
Amsterdam :
Amsterdam University Press,
[2021]
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| Series: | Film culture in transition.
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| Subjects: | |
| Online Access: | CONNECT CONNECT CONNECT CONNECT CONNECT CONNECT |
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| 100 | 1 | |a Baer, Hester, |e author. | |
| 245 | 1 | 0 | |a German cinema in the age of neoliberalism / |c Hester Baer. |
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| 504 | |a Includes bibliographical references and index. | ||
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| 505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t Acknowledgements -- |t Introduction: Making Neoliberalism Visible -- |t 1. German Cinema and the Neoliberal Turn : The End of the National-Cultural Film Project -- |t 2. Producing German Cinema for the World : Global Blockbusters from Location Germany -- |t 3. From Everyday Life to the Crisis Ordinary : Films of Ordinary Life and the Resonance of DEFA -- |t 4. Future Feminism : Political Filmmaking and the Resonance of the West German Feminist Film Movement -- |t 5. The Failing Family: Changing Constellations of Gender, Intimacy, and Genre -- |t 6. Refiguring National Cinema in Films about Labour, Money, and Debt -- |t Conclusion: German Cinema in the Age of Neoliberalism -- |t Bibliography -- |t Index |
| 520 | |a This book presents a new history of German film from 1980-2010, a period that witnessed rapid transformations, including intensified globalization, a restructured world economy, geopolitical realignment, and technological change, all of which have affected cinema in fundamental ways. Rethinking the conventional periodization of German film history, Baer posits 1980-rather than 1989-as a crucial turning point for German cinema's embrace of a new market orientation and move away from the state-sponsored film culture that characterized both DEFA and the New German Cinema. Reading films from East, West, and post-unification Germany together, Baer argues that contemporary German cinema is characterized most strongly by its origins in and responses to advanced capitalism. Informed by a feminist approach and in dialogue with prominent theories of contemporary film, the book places a special focus on how German films make visible the neoliberal recasting of gender and national identities around the new millennium. | ||
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| 650 | 0 | |a Neoliberalism in motion pictures. | |
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