The cube and the face : around a sculpture by Alberto Giacometti /
Alberto Giacometti's 1934 Cube stands apart for many as atypical of the Swiss artist, the only abstract sculptural work in a wide oeuvre that otherwise had as its objective the exploration of reality. With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberma...
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| Other Authors: | , , |
| Format: | Electronic eBook |
| Language: | English French |
| Published: |
Zurich :
Diaphanes,
[2015]
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| Edition: | First edition. |
| Series: | Think art.
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| Subjects: | |
| Online Access: | CONNECT |
MARC
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| 100 | 1 | |a Didi-Huberman, Georges, |e author. | |
| 240 | 1 | 0 | |a Cube et le visage. |l English |
| 245 | 1 | 4 | |a The cube and the face : |b around a sculpture by Alberto Giacometti / |c Georges Didi-Huberman ; edited by Mira Fliescher und Elena Vogman ; translated by Shane B. Lillis. |
| 250 | |a First edition. | ||
| 264 | 1 | |a Zurich : |b Diaphanes, |c [2015] | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource : |b illustrations | ||
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| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed August 5, 2015). | |
| 546 | |a Translated into English from the original French. | ||
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | |a Cover; Contents; Note; Buried Face; Face of the Orientation that Cannot Be Found; Face of the Drawing that Seeks its Volume; Face of the Cage and the Transparent Crystal; Face of the Bodies that Come Apart; Face of the Impossible Dimension; Face of the Dead Heads; Lost Face, Face of the Father; Face of Opacity and the Blind Crystal; Face of Shadow and Spacing; Melancholic Face; Face of the Drawing that Seeks its Notch; Face for Finishing with the Object; Buried Face; Notes; In the Face of the Unface / Elena Vogman, Mira Fliescher; Credits. | |
| 520 | |a Alberto Giacometti's 1934 Cube stands apart for many as atypical of the Swiss artist, the only abstract sculptural work in a wide oeuvre that otherwise had as its objective the exploration of reality. With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberman has conducted a careful analysis of Cube, consulting the artist's sketches, etchings, texts, and other sculptural works in the years just before and after Cube was created. Cube, he finds, is indeed exceptional-a work without clear stylistic kinship to the works that came before or after it. | ||
| 500 | |a EBSCO eBook Academic Comprehensive Collection North America |5 TMurS | ||
| 600 | 1 | 0 | |a Giacometti, Alberto, |d 1901-1966. |t Cube. |
| 600 | 1 | 0 | |a Giacometti, Alberto, |d 1901-1966 |x Criticism and interpretation. |
| 630 | 0 | 7 | |a Cube (Giacometti, Alberto) |2 fast |
| 650 | 0 | |a Sculpture, Abstract |z France. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Fliescher, Mira, |e editor. | |
| 700 | 1 | |a Vogman, Elena, |e editor. | |
| 700 | 1 | |a Lillis, Shane B. |q (Shane Brendan), |e translator. |1 https://id.oclc.org/worldcat/entity/E39PCjGyBCVTQcvjyMRBBcXgYX | |
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| 776 | 0 | 8 | |i Print version: |a Didi-Huberman, Georges. |t Cube and the Face : Around a Sculpture by Alberto Giacometti. |d Chicago : Diaphanes, ©2015 |z 9783037345207 |
| 830 | 0 | |a Think art. | |
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