Reparative aesthetics : witnessing in contemporary art photography /
"By offering a new way of thinking about the role of politically engaged art, Susan Best opens up a new aesthetic field: reparative aesthetics. The book identifies an innovative aesthetic on the part of women photographers from the southern hemisphere, who against the dominant modes of critical...
Saved in:
| Main Author: | |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
London :
Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc.,
2016.
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| Subjects: | |
| Online Access: | CONNECT |
MARC
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| 100 | 1 | |a Best, Susan, |e author. | |
| 245 | 1 | 0 | |a Reparative aesthetics : |b witnessing in contemporary art photography / |c Susan Best. |
| 264 | 1 | |a London : |b Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc., |c 2016. | |
| 300 | |a 1 online resource | ||
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| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed September 21, 2016). | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover page; Halftitle page; Series page; Title page; Copyright page; Contents; Illustrations; Acknowledgements; Introduction; 1 Guilt and Shame Current Debates in Affect Studies; The current debate: shame and anti-intentionalism; Leys and Sedgwick: points of convergence, psychoanalysis and affect theory; Guilt and shame about the past; 2 Witnessing Fever; Witnessing: from oral testimony to watching the news; Identification and non-identification; 3 Shame and the Convict Stain Anne Ferran's Lost to Worlds; What remains: the heritage of convict women. | |
| 505 | 8 | |a Lost to Worlds : shame, guilt and reparationAftermath images and witnessing; 4 Fiona Pardington Colonialism and Repair in the Southern Seas; Colonialism, postcolonialism and voyages to the Southern Seas; Presence, occluded vision and witnessing; Life aesthetics, mortuary aesthetics: reparation and the redemption of damaged life; 5 Rosângela Rennó' Little Stories of the Downtrodden and the Vanquished'; Immemorial : Brasília, capital of hope, cruel utopia; Corpo da Alma: pictures of people holding pictures; 6 Our Dark Side Milagros de la Torre's The Lost Steps. | |
| 505 | 8 | |a The testimony of objects: war and crime in a time of fearDark enlightenment: perversion, shame, shock; Conclusion; Notes; Bibliography; Index. | |
| 520 | |a "By offering a new way of thinking about the role of politically engaged art, Susan Best opens up a new aesthetic field: reparative aesthetics. The book identifies an innovative aesthetic on the part of women photographers from the southern hemisphere, who against the dominant modes of criticality in political art, look at how cultural production can be reparative. The winner of the Art Association of Australia and New Zealand best book award in 2017, Reparative Aesthetics contributes an entirely new theory to the interdisciplinary fields of aesthetics, affect studies, feminist theory, politics and photography. Conceptually innovative and fiercely original this book will move us beyond old political and cultural stalemates and into new terrain for analysis and reflection."-- |c Provided by publisher | ||
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| 952 | f | f | |a Middle Tennessee State University |b Main |c James E. Walker Library |d Electronic Resources |t 0 |e TR655 |h Library of Congress classification |
