Polish cinema in a transnational context /
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Other Authors: | , |
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Format: | Electronic eBook |
Language: | English |
Published: |
Rochester, New York :
University of Rochester Press,
2014.
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Series: | Rochester Studies in East and Central Europe,
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Subjects: | |
Online Access: | CONNECT |
Table of Contents:
- Introduction: Polish cinema beyond Polish borders / Ewa Mazierska and Michael Goddard
- The international reception of Polish films. West of the East: Polish and Eastern European film in the United Kingdom / Peter Hames
- The shifting British reception of Wajda's work from Man of marble to Katy / Darragh O'Donoghue
- Affluent viewers as global provincials: the American reception of Polish cinema / Helena Goscilo
- Polish films at the Venice and Cannes Film Festivals: the 1940s, 1950s, and 1960s / Dorota Ostrowska
- How Polish is Polish? Silver City and the national identity of documentary film / Charlotte Govaert
- Polish international coproductions and presence in foreign films. Postcolonial heterotopias: a paracinematic reading of Marek Piestrak's Estonian coproductions / Eva Nripea
- Poland-Russia: coproductions, collaborations, exchanges / Izabela Kalinowska-Blackwood
- Train to Hollywood: Polish actresses in foreign films / Ewa Mazierska
- Polish performance in French space: Jerzy Radziwiowicz as a transnational actor / Alison Smith
- Polish actor-directors playing Russians: Solimowski and Stuhr / Lars Kristensen
- "Migr" and subversive Polish directors. An island near the left bank: Walerian Borowczyk as a French left bank filmmaker / Jonathan Pwen
- Beyond Polish moral realism: the subversive cinema of Andrzej Uawski / Michael Goddard
- Polanski and Skolimowski in swinging London / Robert Murphy
- The elusive trap of freedom: Krzysztof Zanussi's international coproductions / Kamila Kuc
- Agnieszka Holland's transnational nomadism / Elbieta Ostrowska.