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|a Polish cinema in a transnational context /
|c edited by Ewa Mazierska and Michael Goddard.
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|a Introduction: Polish cinema beyond Polish borders / Ewa Mazierska and Michael Goddard -- The international reception of Polish films. West of the East: Polish and Eastern European film in the United Kingdom / Peter Hames -- The shifting British reception of Wajda's work from Man of marble to Katy / Darragh O'Donoghue -- Affluent viewers as global provincials: the American reception of Polish cinema / Helena Goscilo -- Polish films at the Venice and Cannes Film Festivals: the 1940s, 1950s, and 1960s / Dorota Ostrowska -- How Polish is Polish? Silver City and the national identity of documentary film / Charlotte Govaert -- Polish international coproductions and presence in foreign films. Postcolonial heterotopias: a paracinematic reading of Marek Piestrak's Estonian coproductions / Eva Nripea -- Poland-Russia: coproductions, collaborations, exchanges / Izabela Kalinowska-Blackwood -- Train to Hollywood: Polish actresses in foreign films / Ewa Mazierska -- Polish performance in French space: Jerzy Radziwiowicz as a transnational actor / Alison Smith -- Polish actor-directors playing Russians: Solimowski and Stuhr / Lars Kristensen -- "Migr" and subversive Polish directors. An island near the left bank: Walerian Borowczyk as a French left bank filmmaker / Jonathan Pwen -- Beyond Polish moral realism: the subversive cinema of Andrzej Uawski / Michael Goddard -- Polanski and Skolimowski in swinging London / Robert Murphy -- The elusive trap of freedom: Krzysztof Zanussi's international coproductions / Kamila Kuc -- Agnieszka Holland's transnational nomadism / Elbieta Ostrowska.
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