Concepts of creativity in seventeenth-century England /
"In the seventeenth century, the concept of creativity was far removed from most of the fundamental ideas about the creative act -- notions of human imagination, inspiration, originality and genius -- that developed in the eighteenth and nineteenth centuries. Instead, in this period, students l...
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| Other Authors: | , |
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| Format: | eBook |
| Language: | English |
| Published: |
Woodbridge :
The Boydell Press,
[2013]
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| Subjects: | |
| Online Access: | CONNECT CONNECT |
Table of Contents:
- Creating to Order: Patronage and the Creative Act. 1. 'Big with New Events and some Unheard Success': Absolutism and Creativity at the Restoration Court
- 2. Creativity on Several Occasions
- Creative Identity and the Role of Print Media. 3. Author, Musician, Composer: Creator? Figuring Musical Creativity in Print at the Turn of the Seventeenth Century
- 4. Published Musical Variants and Creativity: An Overview of John Playford's Role as Editor
- Mapping Knowledge: The Visual Representation of Ideas. 5. Space, Text and Creativity in the Late Sixteenth and Seventeenth Centuries
- 6. The 'Artificial Sceane': The Re-Creation of Italian Architecture in John Evelyn's Diary
- Authorial Identity. 7. Telling what is Told: Originality and Repetition in Rubens's English Works
- 8. Plagiarism at the Academy of Ancient Music: A Case Study in Authorship, Style and Judgement
- Imitation and Arrangement. 9. A Meeting of Amateur and Professional: Playford's 'Compendious Collection' of Two-Part Airs, Court-Ayres (1655)
- 10. 'Creating' Cato in Early Seventeenth-Century England
- The Performer as Creator. 11. 'Our Friend Venus Performed to a Miracle': Anne Bracegirdle, John Eccles and Creativity
- 12. Music and Manly Wit in Seventeenth-Century England: The Case of the Catch.
