Weimar cinema : an essential guide to classic films of the era /

Taken as a whole, the sixteen remarkable films discussed in this provocative new volume of essays represent the brilliant creativity that flourished in the name of German cinema between the wars. Encompassing early gangster pictures and science fiction, avant-garde and fantasy films, sexual intrigue...

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Bibliographic Details
Other Authors: Isenberg, Noah William.
Format: eBook
Language:English
Published: New York : Columbia University Press, ©2009.
Series:Film and culture.
Subjects:
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245 0 0 |a Weimar cinema :  |b an essential guide to classic films of the era /  |c edited by Noah Isenberg. 
260 |a New York :  |b Columbia University Press,  |c ©2009. 
300 |a 1 online resource (viii, 360 pages) :  |b illustrations 
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505 0 0 |t Suggestion, hypnosis, and crime : Robert Wiene's The Cabinet of Dr. Caligari (1920) /  |r Stefan Andriopoulos --  |t Of monsters and magicians : Paul Wegener's The golem : how he came into the world (1920) /  |r Noah Isenberg --  |t Movies, money, and mystique : Joe May's early Weimar blockbuster, The Indian tomb (1921) /  |r Christian Rogowski --  |t No end to Nosferatu (1922) /  |r Thomas Elsaesser --  |t Fritz Lang's Dr. Mabuse, the gambler (1922) : grand enunciator of the Weimar era /  |r Tom Gunning --  |t Who gets the last laugh? : old age and generational change in F.W. Murnau's The last laugh (1924) /  |r Sabine Hake --  |t Inflation and devaluation : gender, space, and economics in G.W. Pabst's The joyless street (1925) /  |r Sara F. Hall --  |t Tradition as intellectual montage : F.W. Murnau's Faust (1926) /  |r Matt Erlin --  |t Metropolis (1927) : city, cinema, modernity /  |r Anton Kaes --  |t Berlin, symphony of a great city (1927) : city, image, sound /  |r Nora M. Alter --  |t Surface sheen and charged bodies : Louise Brooks as Lulu in Pandora's box (1929) /  |r Margaret McCarthy --  |t The bearable lightness of being : People on Sunday (1930) /  |r Lutz Koepnick --  |t National cinemas/international film culture : The blue Angel (1930) in multiple language versions /  |r Patrice Petro --  |t Coming out of the uniform : political and sexual emancipation in Leontine Sagan's Mädchen in uniform (1931) /  |r Richard W. McCormick --  |t Fritz Lang's M (1931) : an open case /  |r Todd Herzog --  |t Whose revolution? The subject of Kuhle Wampe (1932) /  |r Marc Silberman. 
504 |a Includes bibliographical references and index. 
504 |a Includes filmography: pages 331-339. 
588 0 |a Print version record. 
520 |a Taken as a whole, the sixteen remarkable films discussed in this provocative new volume of essays represent the brilliant creativity that flourished in the name of German cinema between the wars. Encompassing early gangster pictures and science fiction, avant-garde and fantasy films, sexual intrigues and love stories, the classics of silent cinema and Germany's first talkies, each chapter illuminates, among other things: the technological advancements of a given film, its detailed production history, its critical reception over time, and the place it occupies within the larger history. 
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650 0 |a Motion pictures  |z Germany  |x History  |y 20th century. 
650 0 |a Silent films  |z Germany  |x History and criticism. 
648 7 |a 1900-1999  |2 fast 
648 7 |a Geschichte 1920-1932  |2 swd 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
700 1 |a Isenberg, Noah William. 
730 0 |a WORLDSHARE SUB RECORDS 
776 0 8 |i Print version:  |t Weimar cinema.  |d New York : Columbia University Press, ©2009  |w (DLC) 2008029682  |w (OCoLC)226360231 
830 0 |a Film and culture. 
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