Pop art and the origins of post-modernism /

"Pop Art and the Origins of Post-Modernism examines the critical reception of Pop Art in America during the 1960s. Comparing the ideas of a group of New York-based critics, including Leo Steinberg, Susan Sontag, and Max Kozloff, among others, Sylvia Harrison demonstrates how their ideas - broad...

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Bibliographic Details
Main Author: Harrison, Sylvia, 1947-
Format: eBook
Language:English
Published: Cambridge ; New York : Cambridge University Press, 2001.
Series:Contemporary artists and their critics.
Subjects:
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245 1 0 |a Pop art and the origins of post-modernism /  |c Sylvia Harrison. 
260 |a Cambridge ;  |a New York :  |b Cambridge University Press,  |c 2001. 
300 |a 1 online resource (vii, 280 pages) 
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490 1 |a Contemporary artists and their critics 
504 |a Includes bibliographical references (pages 223-273) and index. 
505 0 0 |g pt. 1.  |t Theoretical Framework.  |g 1.  |t Post-Modernist Assumptions --  |g pt. 2.  |t "Social" Critics.  |g 2.  |t Lawrence Alloway: Pop Art and the "Pop Art-Fine Art Continuum"  |g 3.  |t Harold Rosenberg: Pop Art and the "De-definition" of Both Art and "Self"  |g 4.  |t Leo Steinberg: Pop, "Post-Modernist" Painting, and the Flatbed Picture Plane --  |g pt. 3.  |t "Philosophical" Critics.  |g 5.  |t Barbara Rose: Pop, Pragmatism, and "Prophetic Pragmatism"  |g 6.  |t Max Kozloff: A Phenomenological Solution to "Warholism" and Its Disenfranchisement of the Critic's Interpretive and Evaluative Roles --  |g pt. 4.  |t "Cultural" Critics.  |g 7.  |t Susan Sontag: Pop, the Aesthetics of Silence, and the New Sensibility. 
520 1 |a "Pop Art and the Origins of Post-Modernism examines the critical reception of Pop Art in America during the 1960s. Comparing the ideas of a group of New York-based critics, including Leo Steinberg, Susan Sontag, and Max Kozloff, among others, Sylvia Harrison demonstrates how their ideas - broadly categorized as either sociological or philosophical - bear a striking similarity to the body of thought and opinion that is now associated with deconstructive post-modernism. Perceived through these disciplinary lenses, Pop Art arises as not only a reflection of the dominance of mass communications and capitalist consumerism in post-war American society but also as a subversive commentary on worldviews and the factors necessary for their formation."--Jacket. 
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