Timpani tone and the interpretation of baroque and classical music /
Timpani Tone and the Interpretation of Baroque and Classical Music explores the nature, production, and evolution of timpani tone and provides insights into how to interpret the music of J.S. Bach, Handel, Haydn, and Mozart. In drawing on 31 years of experience, Steven L. Schweizer focuses on the co...
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| Main Author: | |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Oxford ; New York :
Oxford University Press,
2010.
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| Subjects: | |
| Online Access: | CONNECT |
MARC
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| 100 | 1 | |a Schweizer, Steven L. |q (Steven Laurence), |d 1948- | |
| 245 | 1 | 0 | |a Timpani tone and the interpretation of baroque and classical music / |c Steven L. Schweizer. |
| 260 | |a Oxford ; |a New York : |b Oxford University Press, |c 2010. | ||
| 300 | |a 1 online resource (ix, 193 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 179-188), discography (p. 169-171) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Symbols and Markings; About the Companion Web Site; 1 Theory and Practice of Timpani Tone Production; 2 Musical Interpretation and the Timpanist; 3 Interpretation of Baroque Music; 4 Interpretation of Classical Music; Appendix: Discography; Notes; References and Resources; Index. | |
| 520 | |a Timpani Tone and the Interpretation of Baroque and Classical Music explores the nature, production, and evolution of timpani tone and provides insights into how to interpret the music of J.S. Bach, Handel, Haydn, and Mozart. In drawing on 31 years of experience, Steven L. Schweizer focuses on the components of timpani tone and methods for producing it. In so doing, he discusses the importance of timpani bowl type; mallets; playing style; physical gestures; choice of drums; mallet grip; legato, marcato, and staccato strokes; playing different parts of the timpano head; and psychological openne. | ||
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| 650 | 0 | |a Timpani |x Construction. | |
| 650 | 0 | |a Timpani music |y 17th century |x Interpretation (Phrasing, dynamics, etc.) | |
| 650 | 0 | |a Timpani music |y 18th century |x Interpretation (Phrasing, dynamics, etc.) | |
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