Early American cinema in transition : story, style, and filmmaking, 1907-1913 /
The period 1907-1913 marks a crucial transitional moment in American cinema. As moving picture shows changed from mere noveity to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production...
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| Main Author: | |
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| Format: | eBook |
| Language: | English |
| Published: |
Madison, Wis. :
University of Wisconsin Press,
©2001.
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| Series: | Wisconsin studies in film.
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| Subjects: | |
| Online Access: | CONNECT CONNECT |
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| 100 | 1 | |a Keil, Charlie. | |
| 245 | 1 | 0 | |a Early American cinema in transition : |b story, style, and filmmaking, 1907-1913 / |c Charlie Keil. |
| 260 | |a Madison, Wis. : |b University of Wisconsin Press, |c ©2001. | ||
| 300 | |a 1 online resource (xiii, 306 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 490 | 1 | |a Wisconsin studies in film | |
| 504 | |a Filmography: pages 270-286. | ||
| 504 | |a Includes bibliographical references (pages 287-295) and indexes. | ||
| 505 | 0 | |a Introduction -- "Boom time in the moving-picture business": Inndustrial structure, production practices, and the trade press -- "A story vital and unified in its action": The demands of narrative -- "An immeasurably greater freedom": Time and space in transitional cinema -- "The modern technique of art": The style of transitional cinema -- Anaylzing transition: Six sample films -- Conclusion. | |
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a The period 1907-1913 marks a crucial transitional moment in American cinema. As moving picture shows changed from mere noveity to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. In Early American Cinema in Transition, Charlie Keil looks at a broad cross-section of fiction films to examine the formal changes in cinema of this period and the ways that filmmakers developed narrative techniques to suit the fifteen-minute, one-reel format. Keil outlines the kinds of narratives that proved most suitable for a single reel's duration, the particular demands that time and space exerted on this early form of film narration, and the ways filmmakers employed the unique features of a primarily visual medium to craft stories that would appeal to an audience numbering in the millions. He underscores his analysis with a detailed look at six films: The Boy Detective; The Forgotten Watch; Rose O'Salem-Town; Cupid's Monkey Wrench; Belle Boyd, a Confederate Spy; and Suspense. Book jacket. | |
| 546 | |a English. | ||
| 590 | |a EBSCO eBook Academic Comprehensive Collection North America | ||
| 650 | 0 | |a Motion pictures |z United States |x History |y 20th century. | |
| 650 | 0 | |a Motion picture industry |z United States |x History |y 20th century. | |
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| 776 | 0 | 8 | |i Print version: |a Keil, Charlie. |t Early American cinema in transition. |d Madison, Wis. : University of Wisconsin Press, ©2001 |w (DLC) 2001003112 |w (OCoLC)47002138 |
| 830 | 0 | |a Wisconsin studies in film. | |
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