Theory of performing arts /
Annotation
Saved in:
| Main Author: | |
|---|---|
| Format: | eBook |
| Language: | English |
| Published: |
Amsterdam ; Philadelphia :
Benjamins,
1987.
|
| Series: | Critical theory ;
v. 5. |
| Subjects: | |
| Online Access: | CONNECT CONNECT |
| LEADER | 02978cam a2200541Ma 4500 | ||
|---|---|---|---|
| 001 | mig00005380516 | ||
| 003 | OCoLC | ||
| 005 | 20210517061154.7 | ||
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| 100 | 1 | |a Helbo, André. | |
| 245 | 1 | 0 | |a Theory of performing arts / |c by André Helbo. |
| 260 | |a Amsterdam ; |a Philadelphia : |b Benjamins, |c 1987. | ||
| 300 | |a 1 online resource (viii, 153 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Critical theory ; |v v. 5 | |
| 504 | |a Includes bibliographical references (pages 147-153). | ||
| 520 | 8 | |a Annotation |b n recent years, the post structuralist theories seem to have created a split in theatrological research. But, as André Helbo analyses in this book , a dialectic theory of the semiotic and the symbolic exchange bring to light a specific paradigm. From his wide experience as a semiotician and a theatrologist, the author has developed an analysis for the theory of spectacle. Focusing his study on a critical theory of the performing arts, and examining the fundamental controversies, he then offers new perspectives and new instruments of analysis: the social aspects, readability/visibility, coherence, the spectacle contract. | |
| 590 | |a EBSCO eBook Academic Comprehensive Collection North America | ||
| 650 | 0 | |a Performing arts |x Semiotics. | |
| 650 | 0 | |a Performing arts |x Philosophy. | |
| 730 | 0 | |a WORLDSHARE SUB RECORDS | |
| 776 | 0 | 8 | |i Print version: |a Helbo, André. |t Theory of performing arts. |d Amsterdam ; Philadelphia : Benjamins, 1987 |w (DLC) 87014584 |
| 830 | 0 | |a Critical theory ; |v v. 5. | |
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