Twentieth-Century British Theatre : Industry, Art and Empire.
Cochrane explores where, why and how theatre took place across the British Isles during the twentieth century.
Saved in:
Main Author: | |
---|---|
Format: | Electronic eBook |
Language: | English |
Published: |
Cambridge :
Cambridge University Press,
2011.
|
Subjects: | |
Online Access: | CONNECT |
MARC
LEADER | 00000cam a2200000Mi 4500 | ||
---|---|---|---|
001 | mig00005379424 | ||
006 | m o d | ||
007 | cr |n|---||||| | ||
008 | 111128s2011 enk ob 001 0 eng d | ||
005 | 20240610152635.0 | ||
019 | |a 765127569 |a 767579423 |a 770018469 |a 813436896 |a 816873443 |a 819631127 |a 847358815 |a 968917585 | ||
020 | |a 9781139158718 | ||
020 | |a 1139158716 | ||
020 | |a 9781139160766 |q (electronic bk.) | ||
020 | |a 1139160761 |q (electronic bk.) | ||
020 | |a 9781139023153 |q (electronic bk.) | ||
020 | |a 1139023152 |q (electronic bk.) | ||
020 | |a 9781139155175 |q (electronic bk.) | ||
020 | |a 1283342103 | ||
020 | |a 9781283342100 | ||
020 | |a 1139155172 |q (electronic bk.) | ||
020 | |a 9781139156950 |q (e-book) | ||
020 | |a 1139156950 |q (e-book) | ||
020 | |z 9780521464888 | ||
020 | |z 0521464889 | ||
024 | 8 | |a 9786613342102 | |
035 | |a 1WRLDSHRocn763159180 | ||
035 | |a (OCoLC)763159180 |z (OCoLC)765127569 |z (OCoLC)767579423 |z (OCoLC)770018469 |z (OCoLC)813436896 |z (OCoLC)816873443 |z (OCoLC)819631127 |z (OCoLC)847358815 |z (OCoLC)968917585 | ||
037 | |a 334210 |b MIL | ||
040 | |a EBLCP |b eng |e pn |c EBLCP |d OCLCQ |d MHW |d MEAUC |d OCLCQ |d YDXCP |d OCLCF |d OCLCQ |d OCLCO |d CDX |d IDEBK |d E7B |d N$T |d CAMBR |d MNM |d OL$ |d OCLCQ |d OCL |d OCLCQ |d YT1 |d UAB |d UUM |d OCLCQ |d U3W |d OCLCQ |d LVT |d AU@ |d OCLCA |d UKAHL |d OCLCQ |d BWN |d OCLCA |d OCLCQ |d UKCRE |d OCLCQ |d INARC |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
043 | |a e-uk--- | ||
049 | |a TXMM | ||
050 | 4 | |a PN2595 .C478 2011 | |
082 | 0 | 4 | |a 792.09410904 |
084 | |a AP 64930 |2 rvk | ||
084 | |a HM 1270 |2 rvk | ||
100 | 1 | |a Cochrane, Claire. | |
245 | 1 | 0 | |a Twentieth-Century British Theatre : |b Industry, Art and Empire. |
260 | |a Cambridge : |b Cambridge University Press, |c 2011. | ||
300 | |a 1 online resource (366 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
505 | 0 | |a Cover; Twentieth-Century British Theatre; Title; Copyright; For Henry, Jacob, Zephram, Lucas and Karuna altogether with my love; Contents; Acknowledgements; Introduction; AN UNSELFCONSCIOUS PROVINCIALISM; A CONTRAPUNTAL READING; THE LEGITIMATE THEATRE; THE ECONOMIC IMPERATIVE; ENCOUNTERING THE POPULAR: PRIORITIES AND PREJUDICE; THE IMPACT OF THE MASS MEDIA; THE PAST AND PERIODISATION; SPATIAL RELATIONS AND THE LANDSCAPE OF THEATRE; Chapter 1 The topography of theatre in 1900; THE EXPANSION OF BUILDING-BASED THEATRE; A BUOYANT INDUSTRY; THE FORMATION OF EMPIRE; THE IMPACT OF INDUSTRIALISATION. | |
505 | 8 | |a THE ROYAL PRESENCETHE DISTRIBUTION OF INFLUENCE; THE RAILWAYS AND NATIONAL SPACE; NATIONAL FAITH AND POPULAR THEATRES; IRELAND AND CONSTRUCTIVE UNIONISM; DIVERSE AUDIENCES; IMPERIAL THEATRES; IMPERIAL DISJUNCTIONS; Chapter 2 Structures of management; ECONOMIC CHANGE AND INDUSTRIAL PRACTICE; NEW MODELS OF MANAGEMENT; THE OWNERSHIP OF THEATRE; METROPOLITAN MANAGEMENT AND THE EXEMPLARY THEATRE; WEALTHY MEN AND WEALTHY WOMEN; REGIONAL OWNERSHIP; THE NEW GENERATION; THE MODEL BUSINESS MAN; THE RISE OF THE CORPORATE ECONOMY; EVANGELISTS OF CHANGE; HONESTLY COMMERCIAL LINES. | |
505 | 8 | |a INDUSTRIAL DECLINE AND CHANGECOMMERCE AND CO-OPERATION; REPERTORY AND RESILIENCE; AN ENGLISH SYSTEM; SHIFTING THE AXIS; Chapter 3 The profession of acting; PROFESSIONAL ORGANISATION; ENTERING THE PROFESSION; CHANGING SOCIAL ORIGINS; THE ENGLISH IMPERATIVE; VARSITY MEN; THE REPERTORY ACTOR; NEW MEDIA, NEW OPPORTUNITIES; RADIO VOICES; RADIO AND THE METROPOLITAN ACTOR; NEW INFLUENCES; SPREADING THE WORD; THE QUESTION OF COLOUR; Chapter 4 The amateur phenomenon; BRITISH DRAMA LEAGUE; PROFESSIONAL/AMATEUR: BINARY AND OPPOSITION; ORIGINS; DIVERSITY AND ALIGNMENT; THE WELSH EXPERIENCE. | |
505 | 8 | |a A DIVIDED SOCIETYTHE LITTLE THEATRE MOVEMENT; THE SOCIALIST THEATRE; Chapter 5 The topography of theatre in 1950; EQUAL RELATIONS; POSITIVE SYMBOLS; A BRITISH PROJECT; BRICKS AND MORTAR; COMPETING PATTERNS; MAPPING THE SPACE; OWNERSHIP AND CONTROL; PATTERNS OF TOURING; DISTAFF PLAYS; THE LIMITS OF ASSOCIATION; REPERTORY; Chapter 6 The business of theatre; COMPANY/COMPANY; ALTERNATIVE INDEPENDENCE; BOARDS OF MANAGEMENT; BUILDINGS; THE SPREAD OF BUILDINGS; THE BATTLE FOR BUILDINGS; BUILDING FOR TROUBLE; COMMERCIAL ALLIANCES, CORPORATE INTERESTS AND NEW TECHNOLOGY; RESCUING THE COMMERCIAL. | |
505 | 8 | |a THE RETREAT FROM MODERNISMQUESTIONS OF COMMODIFICATION; SUBSIDY AND CONSUMER CULTURE; ACTORS AND THEIR PROSPECTS; STABILITY AND THE REGIONS; Chapter 7 The changing demographic of performance; EDUCATION, TRAINING AND 'NEW' ACTORS; TELEVISION AND THE POPULAR ACTOR; BORDER CROSSINGS; AGENTS OF CHANGE; A KIND OF FLOWERING; BREAKING DOWN DOORS; IMAGINED REALITIES; MAKING A HISTORY; RUBBING OUT THE COLOUR; STAKING A CLAIM; Chapter 8 The topography of theatre in 2000; BUILDINGS AGAIN; THE REGIONAL LANDSCAPE; SCOTLAND: AN INDEPENDENT PROVISION. | |
500 | |a Wales and northern ireland: different landscapes, different needs. | ||
520 | |a Cochrane explores where, why and how theatre took place across the British Isles during the twentieth century. | ||
588 | 0 | |a Print version record. | |
504 | |a Includes bibliographical references and index. | ||
500 | |a EBSCO eBook Academic Comprehensive Collection North America |5 TMurS | ||
650 | 0 | |a Art, Modern |y 20th century |x History. | |
650 | 0 | |a Art |z Great Britain. | |
650 | 0 | |a Theater |z Great Britain |x History |y 20th century. | |
650 | 0 | |a Theater |z Great Britain. | |
648 | 7 | |a 1900-1999 |2 fast | |
648 | 7 | |a Geschichte 1900-2000. |2 swd | |
655 | 7 | |a History |2 fast | |
730 | 0 | |a WORLDSHARE SUB RECORDS | |
758 | |i has work: |a Twentieth-Century British Theatre (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGJmYMKgBF3YVxFDj8Ff4m |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Cochrane, Claire. |t Twentieth-Century British Theatre : Industry, Art and Empire. |d Cambridge : Cambridge University Press, ©2011 |z 9780521464888 |
856 | 4 | 0 | |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=408989&authtype=ip,sso&custid=s4672406 |z CONNECT |3 eBooks on EBSCOhost |t 0 |
907 | |a 4652822 |b 05-25-21 |c 07-02-20 | ||
949 | |a ho0 | ||
994 | |a 92 |b TXM | ||
998 | |a wi |d z | ||
999 | f | f | |s f76d04f3-40c0-466d-aa3a-a999fd334759 |i 52ee9c5d-38f5-499c-a24d-53627398f0be |t 0 |
952 | f | f | |a Middle Tennessee State University |b Main |c James E. Walker Library |d Electronic Resources |t 0 |e PN2595 .C478 2011 |h Library of Congress classification |