Merleau-Ponty and the art of perception /
This collection of essays brings together diverse but interrelated perspectives on art and perception based on the philosophy of Maurice Merleau-Ponty. Although Merleau-Ponty focused almost exclusively on painting in his writings on aesthetics, this collection also considers poetry, literary works,...
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Albany :
State University of New York Press,
2016.
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| Subjects: | |
| Online Access: | CONNECT |
MARC
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| 245 | 0 | 0 | |a Merleau-Ponty and the art of perception / |c edited by Duane H. Davis and William S. Hamrick. |
| 264 | 1 | |a Albany : |b State University of New York Press, |c 2016. | |
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| 504 | |a Includes bibliographical references and index. | ||
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| 505 | 0 | 0 | |g Machine generated contents note: |g pt. One |t Context and Orientation -- |g 1. |t Art of Perception / |r Duane H. Davis -- |g 2. |t Concluding Scientific Postscript / |r William S. Hamrick -- |g pt. Two |t Interpretations -- |g 3. |t Cohesion and Expression: Merleau-Ponty on Cezanne / |r Jessica Wiskus -- |g 4. |t Echoes of Brushstrokes / |r Marta Nijhuis -- |g 5. |t From Edmund Husserl's Image Consciousness to Maurice Merleau-Ponty's Flesh and Chiasm: The Phenomenological Essence of Image / |r Sara J. Northerner -- |g 6. |t Carnal Language and the Reversibility of Architecture: Modernism, Postmodernism, and Merleau-Ponty's Theory of Signs / |r Bryan E. Norwood -- |g 7. |t Architecture and Voices of Silence / |r Patricia M. Locke -- |g 8. |t Philosopher of Modern Life: Baudelaire, Merleau-Ponty, and the Art of Phenomenological Critique / |r Duane H. Davis -- |g 9. |t Flesh Made Word: As I Lay Dying and Being Incarnate / |r Cheryl A. Emerson -- |g 10. |t Listening in Depth: Reading Merleau-Ponty Alongside Nancy / |r Galen A. Johnson -- |g 11. |t Art and the Overcoming of the Discourse of Modernity / |r William S. Hamrick -- |g 12. |t Tactile Cogito: Horizons of Corporeity, Animality, and Affect in Merleau-Ponty / |r Robert Switzer -- |g 13. |t Chiasm as a Virtual: A Non-concept in Merleau-Ponty's Work (with a Coda on Theatre) / |r Marcello Vitali Rosati. |
| 520 | |a This collection of essays brings together diverse but interrelated perspectives on art and perception based on the philosophy of Maurice Merleau-Ponty. Although Merleau-Ponty focused almost exclusively on painting in his writings on aesthetics, this collection also considers poetry, literary works, theater, and relationships between art and science. In addition to philosophers, the contributors include a painter, a photographer, a musicologist, and an architect. This widened scope offers important philosophical benefits, testing and providing evidence for the empirical applicability of Merleau-Ponty's aesthetic writings. The central argument is that for Merleau-Ponty the account of perception is also an account of art and vice versa. In the philosopher's writings, art and perception thus intertwine necessarily rather than contingently such that they can only be distinguished by abstraction. As a result, his account of perception and his account of art are organic, interdependent, and dynamic. The contributors examine various aspects of this intertwining across different artistic media, each ingeniously revealing an original perspective on this intertwining. | ||
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| 650 | 0 | |a Art |x Philosophy. | |
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