The flesh of images : Merleau-Ponty between painting and cinema /

In The Flesh of Images, Mauro Carbone begins with the point that Merleau-Ponty's often misunderstood notion of "flesh" was another way to signify what he also called "Visibility." Considering vision as creative voyance, in the visionary sense of creating as a particular pres...

Full description

Saved in:
Bibliographic Details
Main Author: Carbone, Mauro, 1956- (Author)
Other Authors: Nijhuis, Marta, 1983- (Translator)
Format: eBook
Published: Albany : State University of New York Press, [2015]
Series:SUNY series in contemporary continental philosophy.
Online Access:CONNECT