Art, agency and living presence : from the animated image to the excessive object /
Throughout history, and all over the world, viewers have treated works of art as if they are living beings: speaking to them, falling in love with them, kissing or beating them. This book is a contribution towards an understanding of such responses, by drawing on ancient rhetoric and the theories of...
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| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Boston :
De Gruyter,
[2015]
|
| Series: | Studien aus dem Warburg-Haus ;
Bd. 16. Reihe Kunst und Wirkmacht. |
| Subjects: | |
| Online Access: | CONNECT |
MARC
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| 100 | 1 | |a Eck, Caroline van, |e author. | |
| 245 | 1 | 0 | |a Art, agency and living presence : |b from the animated image to the excessive object / |c Caroline van Eck. |
| 264 | 1 | |a Boston : |b De Gruyter, |c [2015] | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (292 pages) : |b illustrations | ||
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| 490 | 1 | |a Studien aus dem Warburg-Haus ; |v Band 16 | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Acknowledgements; Introduction; Rhetoric; Agency; Experience and memory; The animated image: a growing field; The structure of this book; Part One; Enargeia; Enargeia, ekphrasis and phantasia; Phantasia; Phantasia, memory and living presence; The early modern afterlife of ekphras; Agency; Art and agency; The experience of living presence; Living presence as agency and experie; Animacy; 'Laocoon I am'; Bellini's Brera Pietà; Bernini's Medusa; Memory; Simulacra in the chambers of memory; Perception, memory and emotion; Memory is not an art gallery, but a s. | |
| 505 | 8 | |a Ekphrasis as imaginative recollectionConclusion; Part Two; François Lemée on the Monument of Lou; A new way of considering idolatry; The living presence of statues: a que; Living presence and idolatry; How to control the undesirable agency; Conclusion; 1 Fetishism; Persuasive figuration as the foundat; Fetishism; 'Les rapports intimes des statues av; 'Le ministre le plus docile des volo; Conclusion; Aesthetic Ambivalence; Pygmalion's dream; Petrifying statue lovers; Goethe's gallery of art lovers; Art fetishism; Kant's epistemological barrier again; Conclusion; Part Three. | |
| 505 | 8 | |a Framing, Staging and Acting Living PLiving presence and a visual history; Santa Maria del Priorato: anachronis; 'Killing art to write its history'; 'Glorious visions of the past'; 'The presence of reality instead of; Conclusion; The Afterlife of Art; Aby Warburg on the lives of art work; Pathosformel and Nachleben; The life of art as an artistic issue; The agency of lifelikeness; Mnemosyne: Nachleben as an issue in; Representation; Mnemosyne, Nachleben, and historical; Conclusion; Epilogue: From the Animated Image to; 'The appearance of the soul'; Changing appreciations of viewers at. | |
| 505 | 8 | |a An anthropological turnExcessive and transitional objects; Homo animans and homo repraesentans; Notes; Bibliography; List of Illustrations; Index. | |
| 520 | |a Throughout history, and all over the world, viewers have treated works of art as if they are living beings: speaking to them, falling in love with them, kissing or beating them. This book is a contribution towards an understanding of such responses, by drawing on ancient rhetoric and the theories of Aby Warburg and Alfred Gell, and by retracing the history of attempts to understand - or even excite - such response. | ||
| 546 | |a English. | ||
| 500 | |a EBSCO eBook Academic Comprehensive Collection North America |5 TMurS | ||
| 650 | 0 | |a Art |x Psychological aspects. | |
| 650 | 0 | |a Art appreciation. | |
| 650 | 0 | |a Art and society. | |
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| 830 | 0 | |a Studien aus dem Warburg-Haus ; |v Bd. 16. | |
| 830 | 0 | |a Reihe Kunst und Wirkmacht. | |
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