Neo-noir /

"Neo-noir knows its past. It knows the rules of the game -- and how to break them. From Point Blank (1998) to Oldboy (2003), from Get Carter (2000) to 36 Quai des Orfèvres (2004), from Catherine Tramell to Max Payne, neo-noir is a transnational global phenomenon. This wide-ranging collection ma...

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Bibliographic Details
Other Authors: Bould, Mark (Editor), Glitre, Kathrina (Editor), Tuck, Greg (Editor)
Format: Electronic eBook
Language:English
Published: London ; New York : Wallflower Press, [2009]
Subjects:
Online Access:CONNECT
Table of Contents:
  • Foreword: 'If only my leg didn't itch' / Mike Hodges
  • Parallax views: an introduction / Mark Bould, Kathrina Glitre and Greg Tuck
  • Under the neon rainbow: colour and neo-noir / Kathrina Glitre
  • Audio-noir: audiovisuality in neo-modernist noir / Robert Miklitsch
  • Paranoia and nostalgia: sonic motifs and songs in neo-noir / Helen Hanson
  • The end of work: from Double indemnity to Body heat / Carl Freedman
  • Worlds without consequence: two versions of film noir in the 1980s / Edward Gallafent
  • From lonely streets to lonely rooms: prefiguration, affective responses and the Max Payne single-player / Greg Singh
  • The new lower depths: Paris in French neo-noir cinema / Ginette Vincendeau
  • The shadow of outlaws in Asian noir: Hiroshima, Hong Kong and Seoul / Hyangjin Lee
  • British neo-noir and reification: Croupier and Dirty pretty things / Mike Wayne
  • Laughter in the dark: irony, black comedy and noir in the films of David Lynch, the Coen Brothers and Quentin Tarantino / Greg Tuck
  • A woman scorned: the neo-noir erotic thriller as revenge drama / Linda Ruth Williams
  • Neo-noir's fatal woman: stardom, survival and Sharon Stone / Rebecca Feasey
  • Fatality revisited: the problem of 'anxiety' in psychoanalytic-feminist approaches to film noir / Suzy Gordon
  • The thin men: anorexic subjectivity in Fight club and The machinist / Sherryl Vint and Mark Bould
  • Memento: pasting ourselves together through cinema / Deborah Thomas.