Modern British playwriting. voices, documents, new interpretations / The 1990s :
British theatre of the 1990s witnessed an explosion of new talent and presented a new sensibility that sent shockwaves through audiences and critics. What produced this change, the context from which the work emerged, the main playwrights and plays, and the influence they had on later work are fresh...
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| Format: | Electronic eBook |
| Language: | English |
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London, England ; New York, New York :
Bloomsbury Methuen Drama,
2012.
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| Series: | Decades of modern British playwriting.
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| Subjects: | |
| Online Access: | CONNECT |
Table of Contents:
- Cover; Contents; General Preface; Acknowledgements; Introduction: Living in the 1990s; Background; Everyday life; Education; Media; Culture; Science, technology and industry; Politics; 1 Theatre in the 1990s; Background; Heritage, culture and the Arts Council; Flagship theatres: West End, National and RSC; Off-West End and companies; New writing; Experimental, fringe and live art; Outside London: England, Scotland, Wales and Northern Ireland; Conclusion; 2 Playwrights and Plays; Philip Ridley; Introduction; The Pitchfork Disney; The Fastest Clock in the Universe; Ghost from a Perfect Place.
- ConclusionSarah Kane; Introduction; Blasted; Cleansed; 4.48 Psychosis; Conclusion; Anthony Neilson; Introduction; Normal; Penetrator; The Censor; Conclusion; Mark Ravenhill; Introduction; Shopping and Fucking; Some Explicit Polaroids; Mother Clap's Molly House; Conclusion; 3 Documents; Philip Ridley: Vesper
- a Monologue; Sarah Kane: Interview with Dan Rebellato; Anthony Neilson: In His Own Words; Mark Ravenhill: 'A Tear in the Fabric'; Afterword; Notes; Select Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z; Notes on Contributors.
