Animation /
Annotation
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Main Author: | |
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Format: | eBook |
Language: | English |
Published: |
London :
Laurence King Pub.,
2013.
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Series: | Portfolio (Laurence King Publishing)
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Subjects: | |
Online Access: | CONNECT CONNECT CONNECT CONNECT |
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100 | 1 | |a Selby, Andrew. | |
245 | 1 | 0 | |a Animation / |c Andrew Selby. |
260 | |a London : |b Laurence King Pub., |c 2013. | ||
300 | |a 1 online resource (216 pages) : |b illustrations (chiefly color) | ||
336 | |a text |b txt |2 rdacontent | ||
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490 | 1 | |a Portfolio | |
504 | |a Includes bibliographical references and index. | ||
520 | 8 | |a Annotation |b From scriptwriting through to production, this introduction to animation for students surveys key technical processes and examines a variety of stylistic approaches. The book includes visual examples from key animators and illustrated features on how to create exciting animation for a variety of audiences. This book is a vital resource for anyone who intends to make animation a part of their career. | |
505 | 0 | |a Introduction -- The significance of animation -- The defining principles of animation -- The animation pipeline -- About this book -- An animation timeline -- 1. Preproduction -- planning and scriptwriting: The animation pipeline in preproduction; Scriptwriting; The vocabulary and language of animation; Approaches to scriptwriting; Genre in animation; Script development; Analyzing a script; Conclusion -- 2. Preproduction -- concepts, ideas, and research: Concepts and ideas; Research; Conclusion -- 3. Preproduction -- development: Storyboarding; The art of storyboarding; Style guides; Layouts and scenes; Development drawings; Character design; Conclusion -- 4. Preproduction -- sound: Understanding sound; The importance and use of sound; Stems of sound; The working sound studio; Conclusion -- 5. Production: The animation pipeline in production; Introduction to basic techniques; Cel animation and traditional 2D processes; Stop-motion animation; 3D computer-generated images; Unorthodox animation; Sound in production; Conclusion -- 6. Postproduction: The animation pipeline in postproduction; Preparing the production; Visuals; Sound in postproduction; Release and distribution; Conclusion -- 7. Animated futures: Education, knowledge, and understanding; Skills for future employment; Skills; Promotion; Gaining experience; Opportunities, applications, and interviews; Representation; Making it! Conclusion -- Glossary -- Further reading -- Resources -- Acknowledgments. | |
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650 | 0 | |a Animated films. | |
650 | 0 | |a Animation (Cinematography) | |
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