Temporality and film analysis /
Matilda Mroz argues that cinema provides an ideal opportunity to engage with ideas of temporal flow and change. Temporality, however, remains an underexplored area of film analysis, which frequently discusses images as though they were still rather than moving. This book traces the operation of dura...
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| Main Author: | |
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| Format: | eBook |
| Language: | English |
| Published: |
Edinburgh :
Edinburgh University Press,
©2012.
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| Subjects: | |
| Online Access: | CONNECT CONNECT CONNECT CONNECT |
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| 100 | 1 | |a Mroz, Matilda. | |
| 245 | 1 | 0 | |a Temporality and film analysis / |c Matilda Mroz. |
| 260 | |a Edinburgh : |b Edinburgh University Press, |c ©2012. | ||
| 300 | |a 1 online resource (202 pages) | ||
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| 504 | |a Includes bibliographical references (pages 192-200) and index. | ||
| 505 | 0 | |a Introduction -- Time, in theory -- L'Aventura : temporal adventures -- Mirror : traces and transfiguration -- Signs and meanings in the Decalogue --Epilogue. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Matilda Mroz argues that cinema provides an ideal opportunity to engage with ideas of temporal flow and change. Temporality, however, remains an underexplored area of film analysis, which frequently discusses images as though they were still rather than moving. This book traces the operation of duration in cinema, and argues that temporality should be a central concern of film scholarship. In close readings of Michelangelo Antonioni's L'Avventura, Andrei Tarkovsky's Mirror, and the ten short films that make up Krzysztof KieÅ₎lowski's Decalogue series, Mroz highlights how film analysis must consider both particular moments in cinema which are critically significant, and the way in which such moments interrelate in temporal flux. She explores the concepts of duration and rhythm, resonance and uncertainty, affect, sense and texture, to bring a fresh perspective to film analysis and criticism. Essential reading for students and scholars in Film Studies, this engaging study will also be a valuable resource for critical theorists. | ||
| 546 | |a English. | ||
| 590 | |a Books at JSTOR Evidence Based Acquisitions | ||
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| 650 | 0 | |a Time in motion pictures. | |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 0 | |a Film criticism. | |
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