Pop art and the origins of post-modernism /

Pop Art and the Origins of Post-Modernism examines the critical reception of Pop Art in America during the 1960s. Comparing the ideas of a group of New York-based critics, including Leo Steinberg, Susan Sontag, and Max Kozloff, among others, Sylvia Harrison demonstrates how their ideas - broadly cat...

Full description

Saved in:
Bibliographic Details
Main Author: Harrison, Sylvia, 1947- (Author)
Format: eBook
Language:English
Published: Cambridge : Cambridge University Press, 2001.
Series:Contemporary artists and their critics.
Subjects:
Online Access:CONNECT
CONNECT
LEADER 03250nam a22004698i 4500
001 mig00005065652
003 UkCbUP
005 20151005020621.0
006 m|||||o||d||||||||
007 cr||||||||||||
008 090309s2001||||enk o ||1 0|eng|d
020 |a 9780511497681 (ebook) 
020 |z 9780521791151 (hardback) 
035 0 0 |a ocm00000001camebacr9780511497681 
040 |a UkCbUP  |b eng  |e rda  |c UkCbUP 
043 |a n-us--- 
050 0 0 |a N6512.5.P6  |b H37 2001 
082 0 0 |a 709/.73/09046  |2 21 
099 |a Electronic book 
100 1 |a Harrison, Sylvia,  |d 1947-  |e author. 
245 1 0 |a Pop art and the origins of post-modernism /  |c Sylvia Harrison. 
246 3 |a Pop Art & the Origins of Post-Modernism 
264 1 |a Cambridge :  |b Cambridge University Press,  |c 2001. 
300 |a 1 online resource (vii, 280 pages) :  |b digital, PDF file(s). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Contemporary artists and their critics 
500 |a Title from publisher's bibliographic system (viewed on 05 Oct 2015). 
505 0 0 |g pt. 1.  |t Theoretical Framework.  |g 1.  |t Post-Modernist Assumptions --  |g pt. 2.  |t "Social" Critics.  |g 2.  |t Lawrence Alloway: Pop Art and the "Pop Art-Fine Art Continuum"  |g 3.  |t Harold Rosenberg: Pop Art and the "De-definition" of Both Art and "Self"  |g 4.  |t Leo Steinberg: Pop, "Post-Modernist" Painting, and the Flatbed Picture Plane --  |g pt. 3.  |t "Philosophical" Critics.  |g 5.  |t Barbara Rose: Pop, Pragmatism, and "Prophetic Pragmatism"  |g 6.  |t Max Kozloff: A Phenomenological Solution to "Warholism" and Its Disenfranchisement of the Critic's Interpretive and Evaluative Roles --  |g pt. 4.  |t "Cultural" Critics.  |g 7.  |t Susan Sontag: Pop, the Aesthetics of Silence, and the New Sensibility. 
520 |a Pop Art and the Origins of Post-Modernism examines the critical reception of Pop Art in America during the 1960s. Comparing the ideas of a group of New York-based critics, including Leo Steinberg, Susan Sontag, and Max Kozloff, among others, Sylvia Harrison demonstrates how their ideas - broadly categorized as either sociological or philosophical - bear a striking similarity to the body of thought and opinion which is now associated with deconstructive post-modernism. Perceived through these disciplinary lenses, Pop Art arises as not only a reflection of the dominance of mass communications and capitalist consumerism in post-war American society, but also a subversive commentary on worldviews and the factors necessary for their formation. 
650 0 |a Pop art  |z United States  |x Influence. 
650 0 |a Postmodernism  |z United States. 
730 0 |a Cambridge EBA Collection 
776 0 8 |i Print version:   |z 9780521791151 
830 0 |a Contemporary artists and their critics. 
856 4 0 |u https://ezproxy.mtsu.edu/login?url=https://doi.org/10.1017/CBO9780511497681  |z CONNECT 
907 |a 3904367  |b 08-25-20  |c 03-18-19 
998 |a wi  |b 08-25-20  |c m  |d z   |e -  |f eng  |g enk  |h 0  |i 2 
999 f f |i 7acf9849-03f4-4e2f-b7b6-e4e3e8295fb8  |s b0557d6a-8168-4647-b8cd-e123a88156dc 
952 f f |e N6512.5.P6 H37 2001  |h Library of Congress classification 
856 4 0 |u https://ezproxy.mtsu.edu/login?url=https://doi.org/10.1017/CBO9780511497681  |z CONNECT