Photography and American coloniality : Eliot Elisofon in Africa, 1942-1972 /
"This book is the first to question both why and how the colonialist mythologies represented by the work of photographer Eliot Elisofon persist. It documents and discusses a heterogeneous practice of American coloniality of power as it explores Elisofon's career as war photographer-corresp...
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Main Author: | |
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Format: | Electronic eBook |
Language: | English |
Published: |
East Lansing :
Michigan State University Press,
2017.
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Series: | African humanities and the arts.
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Subjects: | |
Online Access: | CONNECT CONNECT CONNECT |
Summary: | "This book is the first to question both why and how the colonialist mythologies represented by the work of photographer Eliot Elisofon persist. It documents and discusses a heterogeneous practice of American coloniality of power as it explores Elisofon's career as war photographer-correspondent and staff photographer for LIFE, filmmaker, author, artist, and collector of "primitive art" and sculpture. It focuses on three areas: Elisofon's narcissism, voyeurism, and sexism; his involvement in the homogenizing of Western social orders and colonial legacies; and his enthused mission of "sending home" a mass of still-life photographs, annexed African artifacts, and assumed vintage knowledge. The book does not challenge his artistic merit or his fascinating personality; what it does question is his production and imagining of "difference." As the text travels from World War II to colonialism, postcolonialism, and the Cold War, from Casablanca to Leopoldville (Kinshasa), it proves to be a necessarily strenuous and provocative trip." |
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Item Description: | Books at JSTOR Evidence Based Acquisitions EBSCO eBook Academic Comprehensive Collection North America Project MUSE Universal EBA Ebooks |
Physical Description: | 1 online resource (xxiv, 313 pages) |
Bibliography: | Includes bibliographical references and index. |
ISBN: | 9781609175184 1609175182 1628952881 9781628952889 |