The New Yorker Theater and other scenes from a life at the movies /
The nation didn't know it, but 1960 would change American film forever, and the revolution would occur nowhere near a Hollywood set. With the opening of the New Yorker Theater, a cinema located at the heart of Manhattan's Upper West Side, cutting-edge films from around the world were scree...
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| Format: | eBook |
| Language: | English |
| Published: |
New York :
Columbia University Press,
[2009]
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| Online Access: | CONNECT CONNECT CONNECT CONNECT |
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| 100 | 1 | |a Talbot, Toby, |e author. | |
| 245 | 1 | 4 | |a The New Yorker Theater and other scenes from a life at the movies / |c Toby Talbot. |
| 264 | 1 | |a New York : |b Columbia University Press, |c [2009] | |
| 264 | 4 | |c ©2009 | |
| 300 | |a 1 online resource (xiii, 352 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a The nation didn't know it, but 1960 would change American film forever, and the revolution would occur nowhere near a Hollywood set. With the opening of the New Yorker Theater, a cinema located at the heart of Manhattan's Upper West Side, cutting-edge films from around the world were screened for an eager audience, including the city's most influential producers, directors, critics, and writers. Woody Allen, Martin Scorsese, Susan Sontag, Andrew Sarris, and Pauline Kael, among many others, would make the New Yorker their home, trusting in the owners' impeccable taste and incorporating much of what they viewed into their work. In this irresistible memoir, Toby Talbot, co-owner and proud "matron" of the New Yorker Theater, reveals the story behind Manhattan's wild and wonderful affair with art-house film. With her husband Dan, Talbot showcased a range of eclectic films, introducing French New Wave and New German cinema, along with other groundbreaking genres and styles. As Vietnam protests and the struggle for civil rights raged outside, the Talbots also took the lead in distributing political films, such as Bernard Bertolucci's Before the Revolution, and documentaries, such as Shoah and Point of Order. Talbot enhances her stories with selections from the New Yorker's essential archives, including program notes by Jack Kerouac, Jules Feiffer, Peter Bogdanovich, Jonas Mekas, Jack Gelber, and Harold Humes. These artifacts testify to the deeply engaged and collaborative spirit behind each showing, and they illuminate the myriad--and often entertaining--aspects of theater operation. All in all, Talbot's tales capture the highs and lows of a thrilling era in filmmaking.-- |c Provided by publisher. | ||
| 545 | 0 | |a Toby Talbot, a native New Yorker, has been an Upper Westsider since the 1950s. She and her husband Dan Talbot first owned and ran the New Yorker Theater in the 1960s, and then Manhattan's Cinema Studio and Metro Theater in the mid-1970s and early 1980s. They now own and run Lincoln Plaza Cinemas on Manhattan's Upper West Side. Talbot is the author of A Book About My Mother, Early Disorder, numerous childrens' books, and many translations, among them Jacobo Timerman's Prisoner Without A Name, Cell Without a Number. She has taught Spanish literature at Columbia College and New York University, was formerly the education editor of El Diario de Nueva York, and now teaches documentary film at the New School University in New York. | |
| 505 | 0 | |a Foreword / by Martin Scorsese -- Reel 1: The theater. Genesis of theater -- Flashback -- How the theater got its name -- Opening programs -- A family store -- Struggles and obstacles of an art house -- Matinees -- Brief encounter -- Walking to work -- Cinephiles -- Monday nights: special series -- A phone call -- Peter Bogdanovich -- Events of 1968 -- Kids -- Guest books -- Things that bug an exhibitor and an audience -- Payoffs -- Reel 2: Distribution. Bernardo Bertolucci -- Jean-Luc Godard -- Ousmane Sembene -- Point of order -- New Yorker Films -- Cinema novo and Latin American films -- Catalogues -- Alain Tanner -- Jack Gelber -- Nagisa Oshima -- Satyajit Ray and Ismail Merchant -- Jacques Tati -- Yasujiro Ozu -- Dreamland -- Problems of distribution -- A last hurrah -- Shoah -- Reel 3: On location. New Yorker bookstore -- Box office -- Candy-counter tales -- Reel 4: Film critics. Manny Farber -- Andrew Sarris -- Pauline Kael -- Vincent Canby -- Reel 5: Festivals. Cannes -- Berlin -- Fassbinder -- Post-Toronto: 2001 -- Reel 6: Demolition -- The end of New Yorker Films -- Reel 7: Epilogue: an ongoing reel. | |
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| 600 | 1 | 0 | |a Talbot, Toby. |
| 600 | 1 | 0 | |a Talbot, Daniel, |d 1926-2017. |
| 610 | 2 | 0 | |a New Yorker Theater (New York, N.Y.) |x History. |
| 650 | 0 | |a Motion picture theater owners |z New York (State) |z New York |v Biography. | |
| 650 | 0 | |a Motion picture theaters |z New York (State) |z New York |x History |y 20th century. | |
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