A boy named Sue : gender and country music /
From the smiling, sentimental mothers portrayed in 1930s radio barn dance posters, to the sexual shockwaves generated by Elvis Presley, to the female superstars redefining contemporary country music, gender roles and imagery have profoundly influenced the ways country music is made and enjoyed. Prop...
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| Other Authors: | , |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Jackson :
University Press of Mississippi,
©2004.
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| Series: | American made music series.
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| Subjects: | |
| Online Access: | CONNECT |
MARC
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| 245 | 0 | 2 | |a A boy named Sue : |b gender and country music / |c edited by Kristine M. McCusker and Diane Pecknold. |
| 260 | |a Jackson : |b University Press of Mississippi, |c ©2004. | ||
| 300 | |a 1 online resource (xxiv, 232 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a American made music series | |
| 504 | |a Includes bibliographical references (page xxiv) and index. | ||
| 505 | 0 | 0 | |t "Bury me beneath the willow" : Linda Parker and definitions of tradition on the National Barn Dance, 1932-1935 / |r Kristine M. McCusker -- |t "Spade doesn't look exactly starved" : country music and the negotiation of women's domesticity in Cold War Los Angeles / |r Peter La Chapelle -- |t Charline Arthur : the (un)making of a honky-tonk star / |r Emily C. Neely -- |t I don't think Hank done it that way : Elvis, country music, and the reconstruction of southern masculinity / |r Michael Bertrand -- |t "I wanna play house" : configurations of masculinity in the Nashville sound era / |r Diane Pecknold -- |t Patsy Cline's crossovers : celebrity, reputation, and feminine identity / |r Joli Jensen -- |t Dancing together : the rhythms of gender in the country dance hall / |r Jocelyn R. Neal -- |t Between riot grrrl and quiet girl : the new women's movement in country music / |r Beverly Keel -- |t Going back to the old mainstream : No depression, Robbie Fulks, and Alt. country's muddied waters / |r Barbara Ching -- |t Postlude / |r Charles Wolfe. |
| 520 | |a From the smiling, sentimental mothers portrayed in 1930s radio barn dance posters, to the sexual shockwaves generated by Elvis Presley, to the female superstars redefining contemporary country music, gender roles and imagery have profoundly influenced the ways country music is made and enjoyed. Proper male and female roles have influenced the kinds of sounds and images that could be included in country music; preconceptions of gender have helped to determine the songs and artists audiences would buy or reject; and gender has shaped the identities listeners made for themselves in relation to th. | ||
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Country music |x History and criticism. | |
| 650 | 0 | |a Femininity in popular culture. | |
| 650 | 0 | |a Masculinity in popular culture. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a McCusker, Kristine M. | |
| 700 | 1 | |a Pecknold, Diane. | |
| 730 | 0 | |a JSTOR PURCHASED | |
| 776 | 0 | 8 | |i Print version: |t Boy named Sue. |d Jackson : University Press of Mississippi, ©2004 |z 9781578066780 |w (DLC) 2004007354 |w (OCoLC)54906746 |
| 830 | 0 | |a American made music series. | |
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