Photography, cinema, memory : the crystal image of time /
Cinema and photography are both intimately associated with time--cinema with time in passing, the photograph with the lost moment. In Photography, Cinema, Memory, Damian Peter Sutton explores time in both media to present a radical new understanding of the photographic image as always coming into be...
Saved in:
| Main Author: | |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Minneapolis :
University of Minnesota Press,
©2009.
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| Subjects: | |
| Online Access: | CONNECT |
MARC
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| 100 | 1 | |a Sutton, Damian, |e author. | |
| 245 | 1 | 0 | |a Photography, cinema, memory : |b the crystal image of time / |c Damian Sutton. |
| 260 | |a Minneapolis : |b University of Minnesota Press, |c ©2009. | ||
| 300 | |a 1 online resource (xiii, 269 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cinema and the event of photography -- Photographic memory, photographic time -- The division of time -- Cinema's photographic view -- How does a photograph work? -- Becoming-photography -- The new uses of photography. | |
| 520 | |a Cinema and photography are both intimately associated with time--cinema with time in passing, the photograph with the lost moment. In Photography, Cinema, Memory, Damian Peter Sutton explores time in both media to present a radical new understanding of the photographic image as always coming into being. Drawing on Gilles Deleuze's concept of the crystal image to move beyond the tropes of immobility, stasis, and death, Sutton's analysis reveals the open-endedness of time expressed in the photograph, either as a potential for an abundant future or as a depth of meandering remembrance. He presents. | ||
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Photography, Artistic. | |
| 650 | 0 | |a Photography |x Philosophy. | |
| 650 | 0 | |a Cinematography. | |
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