Walls without cinema : state security and subjective embodiment in twenty-first-century US filmmaking /

"Walls without cinema: state security and subjective embodiment in twenty-first century U.S. filmmaking closely examines the near-ubiquitous images of state security walls, domes, and other such defense enclosures flashing across movie screens since 2006, the year of the ratification of George...

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Bibliographic Details
Main Author: Dudenhoeffer, Larrie, 1974- (Author)
Format: Book
Language:English
Published: New York, NY : Bloomsbury Academic, Bloomsbury Publishing Inc, 2021.
Subjects:
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100 1 |a Dudenhoeffer, Larrie,  |d 1974-  |e author. 
245 1 0 |a Walls without cinema :  |b state security and subjective embodiment in twenty-first-century US filmmaking /  |c Larrie Dudenhoeffer. 
264 1 |a New York, NY :  |b Bloomsbury Academic, Bloomsbury Publishing Inc,  |c 2021. 
264 4 |c ©2021 
300 |a 237 pages :  |b illustrations ;  |c 24 cm 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
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504 |a Includes bibliographical references and index. 
505 0 |a Conceptual borders: an introduction to walls without cinema -- Green zones: beside the walls on the cinema screen -- Safe spaces: inside the walls on the cinema screen -- Gated communities: outside the walls on the cinema screen -- Interface areas: beyond the walls on the cinema screen -- Conclusion: the walls came tumbling down. 
520 |a "Walls without cinema: state security and subjective embodiment in twenty-first century U.S. filmmaking closely examines the near-ubiquitous images of state security walls, domes, and other such defense enclosures flashing across movie screens since 2006, the year of the ratification of George W. Bush's Secure Fence Act. This study shows that many of the films of this era enable us to imaginatively test the effects of these security mechanisms on citizens, immigrants, refugees, and other sovereign states, challenging our commitment to constructing them, maintaining them, staffing them, and subsidizing their enormous overheads. With case studies ranging from Atomic Blonde and Ready Player One to Black Panther and Elysium, Walls without Cinema serves a timely counterpoint to the xenophobic rhetoric and abusive, carceral security conditions that characterize the Trump administration's management of the Mexico-U.S. border situation"--  |c Provided by publisher. 
590 |a YBP FIRM Failsafe 
650 0 |a National security in motion pictures. 
650 0 |a Border security in motion pictures. 
650 0 |a Motion pictures  |z United States  |x History  |y 21st century. 
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