Found footage horror films : a cognitive approach /
"This book adopts a cognitive theoretical framework in order to address the mental processes that are elicited and triggered by found footage horror films. Through analysis of key films, the book explores the effects that the diegetic camera technique used in such films can have on the cognitio...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York, NY :
Routledge,
2019.
|
| Series: | Routledge advances in film studies ;
64. |
| Subjects: |
MARC
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| 090 | |a PN1995.9.H6 |b T87 2019 | ||
| 100 | 1 | |a Turner, Peter |c (Lecturer in film and media studies), |e author. | |
| 245 | 1 | 0 | |a Found footage horror films : |b a cognitive approach / |c Peter Turner. |
| 264 | 1 | |a New York, NY : |b Routledge, |c 2019. | |
| 264 | 4 | |c ©2019 | |
| 300 | |a xii, 189 pages ; |c 24 cm. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 490 | 1 | |a Routledge advances in film studies ; |v 64 | |
| 520 | |a "This book adopts a cognitive theoretical framework in order to address the mental processes that are elicited and triggered by found footage horror films. Through analysis of key films, the book explores the effects that the diegetic camera technique used in such films can have on the cognition of viewers. It further examines the way in which mediated realism is constructed in the films in order to attempt to make audiences either (mis)read the footage as non-fiction, or more commonly to imagine that the footage is non-fiction. Films studied include The Blair Witch Project, Rec, Paranormal Activity, Exhibit A, Cloverfield, Man Bites Dog, The Last Horror Movie, Noroi: The Curse, Autohead, and Zero Day. This book will be of key interest to Film Studies scholars with research interests in horror and genre studies, cognitive studies of the moving image, and those with interests in narration, realism and mimesis. It is an essential read for students undertaking courses with a focus on film theory, particularly those interested specifically in horror films and cognitive film theory"-- |c Provided by publisher. | ||
| 504 | |a Includes bibliographical references, filmography, and index. | ||
| 505 | 0 | |a Genealogy -- Narration and the diegetic camera -- Priming the spectator and mediated reality -- Camera operator interaction with viewers and profilmic subjects: the case of home movies -- Allegiance with charismatic killers: man bites dog, the last horror movie and zero day -- Conclusion: the future for diegetic cameras. | |
| 650 | 0 | |a Horror films |x History and criticism. | |
| 650 | 7 | |a Horror films. |2 fast |0 (OCoLC)fst00960370 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Online version: |a Turner, Peter (Lecturer in film and media studies). |t Found footage horror films. |d London ; New York : Routledge, 2018 |z 9780429425486 |w (DLC) 2018059255 |
| 830 | 0 | |a Routledge advances in film studies ; |v 64. | |
| 907 | |a 3961015 |b 06-21-21 |c 05-30-19 | ||
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| 952 | f | f | |p Circulating |a Middle Tennessee State University |b Main |c James E. Walker Library |d Main Collection - Walker Library - 2nd Floor |t 0 |e PN1995.9.H6 T87 2019 |h Library of Congress classification |i Book |m 33082017289934 |n 1 |
