Moving pictures, still lives : film, new media, and the late twentieth century /
"Moving Pictures, Still Lives revisits the cinematic and intellectual atmosphere of the late twentieth century. Against the backdrop of the historical fever of the 1980s and 1990s, the rise of the heritage industry, a global museum-building boom, and a cinematic fascination with costume dramas...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York, NY :
Oxford University Press,
[2018]
|
| Subjects: |
Table of Contents:
- Introduction: the archaeomodern turn
- Part I. Theory and the Modern Past: 1. The hauntology of the cinematic image: Walter Benjamin, film theory, and the mourning play ; 2. Time's arrow, time's bow: Gilles Deleuze in the Baroque age of cinema ; 3. Serge Daney, Zapper: film, television, and the persistence of media
- Part II. The Cinema of Painters: 4. The suspended spectacle of history: the tableau vivant in late twentieth-century cinema ; 5. The afterlife of art and objects: the cinematic still life in the late twentieth century ; 6. Caliban's books: old and new media in the work of Peter Greenaway ; 7. Old haunts: commemoration and mourning in Agnès Varda's landscapes.
