Shakespeare's Roman trilogy : the twilight of the ancient world /
"Paul A. Cantor first probed Shakespeare's Roman plays--Coriolanus, Julius Caesar, and Antony and Cleopatra--in his landmark Shakespeare's Rome. With Shakespeare's Roman Trilogy, he now argues that these plays form an integrated trilogy that portrays the tragedy not simply of the...
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| Format: | Book |
| Language: | English |
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Chicago ; London :
The University of Chicago Press,
2017.
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| Subjects: |
MARC
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| 100 | 1 | |a Cantor, Paul A. |q (Paul Arthur), |d 1945- |e author. | |
| 245 | 1 | 0 | |a Shakespeare's Roman trilogy : |b the twilight of the ancient world / |c Paul A. Cantor. |
| 264 | 1 | |a Chicago ; |a London : |b The University of Chicago Press, |c 2017. | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 302 pages ; |c 23 cm | ||
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| 504 | |a Includes bibliographical references (pages 229-296) and index. | ||
| 505 | 0 | |a Introduction : Shakespeare's Rome revisited -- Part 1. Shakespeare, Nietzsche, and the revaluation of Roman values. Shakespeare's tragic city : the rise and fall of the Roman republic -- "The Roman Caesar with Christ's soul" : Shakespeare and Nietzsche on Rome and Christianity -- Part 2. Further explorations of Shakespeare's Rome. Beasts and gods : titanic heroes and the tragedy of Rome -- Shakespeare's parallel lives : Plutarch and the Roman plays -- Shakespeare and the Mediterranean : the centrality of the classical tradition in the Renaissance -- Antony and Cleopatra : empire, globalization, and the clash of civilizations. | |
| 520 | |a "Paul A. Cantor first probed Shakespeare's Roman plays--Coriolanus, Julius Caesar, and Antony and Cleopatra--in his landmark Shakespeare's Rome. With Shakespeare's Roman Trilogy, he now argues that these plays form an integrated trilogy that portrays the tragedy not simply of their protagonists but of an entire political community. Cantor analyzes the way Shakespeare chronicles the rise and fall of the Roman Republic and the emergence of the Roman Empire. The transformation of the ancient city into a cosmopolitan empire marks the end of the era of civic virtue in antiquity, but it also opens up new spiritual possibilities that Shakespeare correlates with the rise of Christianity and thus the first stirrings of the medieval and the modern worlds. More broadly, Cantor places Shakespeare's plays in a long tradition of philosophical speculation about Rome, with special emphasis on Machiavelli and Nietzsche, two thinkers who provide important clues on how to read Shakespeare's works. In a pathbreaking chapter, he undertakes the first systematic comparison of Shakespeare and Nietzsche on Rome, exploring their central point of contention: Did Christianity corrupt the Roman Empire or was the corruption of the Empire the precondition of the rise of Christianity? Bringing Shakespeare into dialogue with other major thinkers about Rome, Shakespeare's Roman Trilogy reveals the true profundity of the Roman plays."-- |c Provided by publisher. | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Knowledge. |
| 600 | 1 | 0 | |a Nietzsche, Friedrich Wilhelm, |d 1844-1900. |
| 651 | 0 | |a Rome |x In literature. | |
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| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616. |2 fast |0 (OCoLC)fst00029048 |
| 650 | 7 | |a Art. |2 fast |0 (OCoLC)fst00815177 | |
| 650 | 7 | |a Literature. |2 fast |0 (OCoLC)fst00999953 | |
| 651 | 7 | |a Rome (Empire) |2 fast |0 (OCoLC)fst01204885 | |
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