Screening European heritage : creating and consuming history on film /
Paying close attention to the complexity of contemporary public engagement with the past across Europe, the authors question the role and value of the past in cultural and societal changes by investigating hos history is re-imagined by the contemporary film and heritage industries. As concerned with...
Saved in:
| Other Authors: | , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
London :
Palgrave Macmillan, imprint published by Springer Nature,
[2016]
|
| Series: | Palgrave European film and media studies.
|
| Subjects: |
MARC
| LEADER | 00000cam a22000007i 4500 | ||
|---|---|---|---|
| 001 | mig00004755118 | ||
| 003 | OCoLC | ||
| 005 | 20170403010841.0 | ||
| 008 | 160629t20162016enka f b 001 0 eng d | ||
| 010 | |a 2016946340 | ||
| 020 | |a 9781137522795 (alk. paper) | ||
| 020 | |a 1137522798 (alk. paper) | ||
| 020 | |z 9781137522801 (ebook) | ||
| 035 | |a (OCoLC)961936953 | ||
| 035 | 0 | 0 | |a ocn961936953 |
| 040 | |a YDX |b eng |e rda |c YDX |d DLC |d GSU |d STF |d OCLCF |d SHS |d IUL |d TXM | ||
| 042 | |a lccopycat | ||
| 043 | |a e------ | ||
| 049 | |a TXMM | ||
| 050 | 0 | 0 | |a PN1993.5.E8 |b S373 2016 |
| 082 | 0 | 4 | |a 791.43094 |2 23 |
| 092 | |a 791.43094 |b Scr22 | ||
| 245 | 0 | 0 | |a Screening European heritage : |b creating and consuming history on film / |c edited by Paul Cooke and Rob Stone. |
| 246 | 3 | 0 | |a Creating and consuming history on film |
| 264 | 1 | |a London : |b Palgrave Macmillan, imprint published by Springer Nature, |c [2016] | |
| 264 | 4 | |c ©2016 | |
| 300 | |a xxxiv, 290 pages : |b illustrations ; |c 22 cm. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 490 | 1 | |a Palgrave European film and media studies | |
| 520 | |a Paying close attention to the complexity of contemporary public engagement with the past across Europe, the authors question the role and value of the past in cultural and societal changes by investigating hos history is re-imagined by the contemporary film and heritage industries. As concerned with government policies and industrial imperatives as it is with the spectators' emotional engagement with the past; the way that film and television can shed light on the relationship between the past, the present, the audience and the screen is explored. Who makes and who watches these productions and how they are consumed in cinemas, on television and online? These are just some of the questions this volume seeks to answer.-- |c Source other than Library of Congress. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction -- Part I. Contexts of production -- The politics and sociology of screening the past: a national and transnational perspective / Ib Bondebjerg -- British Flanders: Co-produced television drama and the limits of a European heritage / Jaap Verheul -- Whose heritage?: Noi credevamo (We believed) and the national, regional and transnational dynamics of the risorgimento film / Alex Marlow-Mann -- Part II. Limits of representation -- Towards world heritage cinema (starting from the negative) / Alan O'Leary -- Rewriting history from the margins: diasporic memory, shabby chic and archival footage / Daniela Berghahn -- Facing dark heritage: the legacy of Nazi perpetrators in German-language film / Axel Bangert -- Spectral Spanish heritage: the hauntology of La noche de los girasoles (The night of the sunflowers) / Paul Mitchell -- Adapting Balzac in Jacques Rivette's Ne Touchez pas la hache (Don't touch the axe): violence and the post-heritage aesthetic / Andrew Watts -- The ironic gaze: roots tourism and Irish heritage cinema / Ruth Barton -- Part III. Modes of consumption -- Historical films in Europe: the transnational production, circulation and reception of 'national' heritage drama / Andrew Higson -- From 'English' heritage to transnational audiences: fan perspectives and practices and why they matter / Claire Monk -- From 'Auschwitz-land' to Banglatown: heritage conflicts, film and the politics of place / Paul Cooge -- Cinematic pilgrimages: postmodern heritage cinema / Rob Stone. | |
| 650 | 0 | |a Motion pictures |z Europe |x History. | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 700 | 1 | |a Cooke, Paul, |d 1969- |e editor. | |
| 700 | 1 | |a Stone, Rob, |e editor. | |
| 830 | 0 | |a Palgrave European film and media studies. | |
| 907 | |a 3358161 |b 04-03-17 |c 11-02-16 | ||
| 998 | |a w |b 04-03-17 |c m |d a |e - |f eng |g enk |h 0 |i 1 | ||
| 956 | 4 | 1 | |z Available to Stanford-affiliated users. |u http://link.springer.com/10.1057/978-1-137-52280-1 |x WMS |y SpringerLink |x Provider: Springer |x purchased |x eLoaderURL |x sp4 |x spocn957772988 |
| 994 | |a C0 |b TXM | ||
| 945 | |a 791.43094 |b Scr22 |g 1 |i 33082017944678 |j 0 |l w4 |o - |p $82.67 |q - |r - |s - |t 0 |u 0 |v 0 |w 0 |x 0 |y .i21515220 |z 12-05-16 | ||
| 999 | f | f | |i 2294b433-bd05-4abd-af45-dbe7fa60e701 |s 0566d83d-71f6-47fd-b678-960c23cba58e |t 0 |
| 952 | f | f | |p Circulating |a Middle Tennessee State University |b Main |c James E. Walker Library |d Main Collection - Walker Library - 2nd Floor |t 0 |e PN1993.5.E8 S373 2016 |h Library of Congress classification |i Book |m 33082017944678 |n 1 |
